One who preserves all the exterior decencies of ignorance.
I think that the best of my generation...have reversed the customary rules of the game and have grown more radical as they have gotten older - a disconcerting but healthy sign. To be sure, there are many youngish old fogies around and even the most illustrious of these, William Buckley, is blessed by a puzzling, recondite but undeniable charm, almost as if beneath that patrician exterior an egalitarian was signaling to get out.
What really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.
as all women know, there are really no men at all. There are grown-up boys, and middle-aged boys, and elderly boys, and even sometimes very old boys. But the essential difference is simply exterior. Your man is always a boy.
These flattering mirrors reflect imperfectly what is within; the countenance is often a gay deceiver. What defects of mind lie hidden under its beauty! What fair exteriors conceal base souls!
Our destiny is not mapped out for us by some exterior power; we map it out for ourselves. What we think and do in the present determines what shall happen to us in the future.
We often value the exterior and superficial aspect of things more than their inner reality. Bad manners taint everything even justice and reason. The 'how' of things matters most, and even the most disagreeable matters can be sweetened and gilded over with the proper appearance. Such is the bias and the weakness of the human mind.
I used to be too subjective, and I was always tempted to find my inner self in the exterior and dissipate my imagination on other people and on life.
There is, therefore, a more perfect intellectual life in the angels. In them the intellect does not proceed to self-knowledge from anything exterior, but knows itself through itself.
Personality in man is what is "not his own" . . . what come from outside, what he has learned, or reflects, all traces of exterior impressions left in the memory.
The most vulnerable people have tough exteriors because they are very scared inside, and it's very hard for people like that - people like me - to open up. But playing it safe means you stop being open to learning. I always try to find the challenges.
It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior.
Oh while I live, to be the ruler of life, not a slave, to meet life as a powerful conqueror, and nothing exterior to me will ever take command of me.
There was never yet an uninteresting life. Such a thing is an impossibility. Inside of the dullest exterior there is a drama, a comedy, and a tragedy.
In country, as in people, a plain exterior often conceals hidden riches, to perceive which requires much living in and with.
Our actual enemy is not any force exterior to ourselves, but our own crying weaknesses, our cowardice, our selfishness, our hypocrisy, our purblind sentimentalism.
A nervous excitability, a chronic exaltation of the passion, in which commingle the inferior life of the individual and its exterior manifestations, a state in which sentiment, idea, and will are confounded together, where for the lack of the powerful corrective of logic, the flights of imagination know no bounds, where life and human activity are deprived of a regulator, and move outside of material and concrete factors, by the sole interior force of the soul.
It is the free alone which never changes, and the unchangeable alone which is free; for change is produced by something exterior to a thing, or within itself, which is more powerful than the surroundings.
To desire to be what one can be is purpose in life. There are no exterior forces. There are only interior forces. Who squanders talent praises death.
... the twin concepts of nihilism and the antihero have had it. What began with The Wild One and James "nobody understands me" Dean, ran with increasing vehement negativism up through the Stones and Velvets and Iggy ... [I]t may be time, in spite of all indications to the contrary from the exterior society, to begin thinking in terms of heroes again, of love instead of hate, of energy instead of violence, of strength instead of cruelty, of action instead of reaction.
You cannot paint the exterior of your house. You have to take the paint chip down to show the paint-chip Nazis.
There are ancient and modern poems which breathe, in their entirety and in every detail, the divine breath of irony. In such poemsthere lives a real transcendental buffoonery. Their interior is permeated by the mood which surveys everything and rises infinitely above everything limited, even above the poet's own art, virtue, and genius; and their exterior form by the histrionic style of an ordinary good Italian buffo.
You know, the technology was at the right place for us to build this world. The most difficult thing about doing The Croods was no doubt the building of the world. Every single thing in this film is organic. Organic things are tough. Very very labour intensive. And we have no man-made structures. You could argue that everything in this film is really an exterior. Even the interiors of the cave are exteriors. So building this world was the biggest thing of all, and the technology was there to do it.
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
The exterior image of a human being and the diverse circumstances that surround him are the exact result of his interior image and of his psychological processes.
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