I think that my films are westerns only in their exterior aspects. Within them are some of my truths, which happily, I see, belong to lots of parts of the world. Not just America.
But I do know focusing on the exterior doesn't make me happy. If I want peace and serenity, it won't be reached by getting thinner or fatter.
The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.
In all professions each affects a look and an exterior to appear what he wishes the world to believe that he is. Thus we may say that the whole world is made up of appearances.
I was confident and in good shape when I first came to L.A. but nobody would cast me in any well written roles. People assumed based on my looks I was an asshole and a one trick pony. They never let me improv or do comedy. It wasn't until I built a shlubby exterior, which stood in stark contrast to my inner confidence that people gave me room to play.
At some point or another, our boundaries run into the boundaries of the exterior reality. Like we run into laws and other things that we don't own or don't have control over.
I needed to enhance the outward threat to Rachel.In the book [Girl on the Train], her inner threat is so strong; the fear of herself and her inability to remember and the false memories. In the film [Girl on the Train]I wanted to increase the exterior threat. So that's why Allison's part was bigger and was an important part of the climax of the film.
Every time you see an interior, where somebody has a cockpit, is the real existing thing. Every time you see the exterior zooming by, it's completely CGI.
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And the films Ingmar Bergman did with Sven Nykvist were exceptional.
I saw that the kingdom must be interior before it can be exterior, that it is a kingdom of ideas, and not one of brute force; that His rule is over hearts, not over places; that His victories must be inward before they can be outward; that He seeks to control spirits rather than bodies; that no triumph could satisfy Him but a triumph that gains the heart; that in short, where God really reigns, the surrender must be the interior surrender of the convicted free men, and not merely the outward surrender of the conquered slave.
Only those works which are well-written will pass to posterity: the amount of knowledge, the uniqueness of the facts, even the novelty of the discoveries are no guarantees of immortality ... These things are exterior to a man but style is the man himself.
The mind being, as I have declared, furnished with a great number of the simple ideas conveyed in by the senses, as they are found in exterior things, or by reflection on its own operations, take notice, also, that a certain number of these simple ideas go constantly together... which, by inadvertency, we apt afterward to talk of and condier as one simple idea.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
I just want to keep exploring music and hopefully the orders will keep coming in and I'll be able to keep growing the interior and exterior sides of my life.
One's life, from being an exterior thing, grows inwards. Its intensity stays the same; and, d'you know, it's most mysterious, the corners in which the joy of living can sometimes hide away.
To what expedient then shall we finally resort, for maintaining in practice the necessary partition of power among the several departments, as laid down in the constitution? The only answer that can be given is, that as all these exterior provisions are found to be inadequate, the defect must be supplied, by so contriving the interior structure of the government, as that its several constituent parts may, by their mutual relations, be the means of keeping each other in their proper places.
Earthly riches are like the reed. Its roots are sunk in the swamp, and its exterior is fair to behold; but inside it is hollow. If a man leans on such a reed, it will snap off and pierce his soul.
Imagine hidden in a simpler exterior a secret receptacle wherein the most precious treasure is deposited - there is a spring which has to be pressed, but the spring is hidden, and the pressure must have a certain strength, so that an accidental pressure would not be sufficient. So likewise is the hope of eternity hidden in man's inmost parts, and affliction is the pressure. When it presses the hidden spring, and strongly enough, then the contents appear in all their glory.
In order to understand, it is immensely important for the person who understands to be located outside the object of his or her creative understanding—in time, in space, in culture. For one cannot even really see one's own exterior and comprehend it as a whole, and no mirrors or photographs can help; our real exterior can be seen and understood only by other people, because they are located outside us in space, and because they are others.
The most mature human insight comes from one's introspection rather than from exterior research.
One of the reasons to go to South Africa is because we can create great standing sets, both interior and exterior, and have the opportunity to create an actual water set outside, which will allow us to build a boat and probably part of another ship to be able to really bring that world to life.
Spaceflight is nothing less than the exterior metaphor for the shamanic voyage. In other words, in our terms, the hallucinogenic experience. This is the way engineers get high. They go to the moon!
Accomplishments have taken virtue's place, and wisdom falls before exterior grace.
The business of the biographer is often to pass slightly over those performances and incidents which produce vulgar greatness, to lead the thoughts into domestic privacies, and display the minute details of daily life, were exterior appendages are cast aside, and men excel each other only by prudence and virtue.
All things, all circumstances that occur outside ourselves, on the stage of this world, are exclusively the reflection of what we carry within. With good reason then, we can solemnly declare that the 'exterior is the reflection of the interior.' When someone changes internally and if that change is radical, then circumstances, life and the external also change.
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