I see the world in ways that might be considered somewhat harsh and Darwinistic. At the same time mediated, as in Darwin, by a real idealism and an excitement about the possibilities of the intellect and imagination to deal with this somewhat brutal world.
As a guy comedian, your special is probably the closest thing to the excitement of a wedding day. It's your first one, and you want it to be perfect, and you want it to mean something. You want it to look good.
Writing a book about Jeremy Corbyn, set out with two objectives. The first was simple: to explain how he became the leader of the Labour Party. I was disappointed - but not at all surprised - at the complete absence of intellectual curiosity on display. The second objective I had to try to capture for posterity the excitement and spirit of the first Corbyn campaign. Those moments when the impossible suddenly becomes possible are so powerful to those who experience them. I think it's politically valuable to relive such moments, to learn the lessons of what went right.
I am a voracious reader myself. I don't stick to one genre. My only criteria is that it's a good story. I try to bring that to my work because I think people can read your excitement about a story.
Very often, if you think about what's erotic and break it down, as we're feeling the excitement of eroticism, we're feeling fear. We want to try to dominate our fear and get rid of our fear, so we go towards it and have sex with it, basically. That's really sad.
The lesson there is that there's no hiding the sound of a band that is bored with its own music. Whatever it takes to create the sound of excitement, that's what you want to do.
There is always the working out of things, and you have to have sort of a gut response to it. And an intellectual response. And an aesthetic response. All that comes from having done this for a long time. Instead of saying, "That's a really good rock track, and that will do," I'm looking for something that is more original and fresh. There are a lot of elements to get into it: a level or sophistication, passion and excitement.
I've been going to San Diego's Comic-Con every year since 2007 or 2008. The first time I went it was an overwhelming experience because I wasn't expecting all the people; I wasn't even expecting all the joy. I came from a background where, when I was about eighteen or nineteen, I found comic-book fandom. But it was the fandom of online communities. And within those communities there was a tremendous amount of excitement and joy, but I'd never been around people in such a large group setting where this joy was pouring out of them. It was a revelation.
Psychoanalytic categories such as "neurosis", "psychosis", "mania", and "fixation" have become part of our everyday psychological vocabulary and we now routinely interpret states of anxiety, excitement, or depression in terms of physiological factors involving levels of serotonin, adrenalin, or blood sugar. To say that the characterization of thinking has a normative function that is irreducible to neurophysiological processing is not to say that our extant classification of the forms of thinking is incorrigible.
Playing so many important games in a prestigious competition like the Champions League, I have experience to call upon and I'm thankful for that. I hope the other players can feel more confident because of that. Of course we're facing a very tough tie; we know Juventus F.C. are the favourites, but sometimes excitement, desire, effort and bravery can overcome individual ability.
I love getting nervous, because it's also a form of excitement and it makes me feel alive, you know? I like that feeling. I've always liked that feeling. People who don't get nervous before they perform are no fun.
You can get an audience, you can get followers all over the world and there's great power and excitement in those connections but there also is grave danger of misinterpretation, sometimes something can be incendiary and we also see what I think of as an arms race between these new technologies that allow for expression and communication and then new methods of surveillance and suppression.
Why don't you trust women to make this choice for themselves? We can encourage people to support life. Of course we can. But why don't you trust women? Why doesn't Donald Trump trust women to make this choice for themselves? That's what we ought to be doing in public life. Living our lives of faith or motivation with enthusiasm and excitement, convincing other, dialoguing with each other about important moral issues of the day but on fundamental issues of morality, we should let women make their own decisions.
I am extremely happy. It's just an amazing feeling to be in this space at this stage of my life after all that I've gone through and still be able to make the music that is garnishing this powerful momentum in the game right now and you know, get the excitement of my record company and my family and my kids, coming home from school, talking about how their friends declare me the unanimously as the hottest artist in the game right now. All of that is the rewarding feeling you can't put a price tag on.
Jazz is for joy. It's for euphoria, it's for emotion, and anguish, and excitement, and all of the joys that great art can produce, and if it loses that, then it's lost everything.
When I was young, I would stay in my backyard and I would create roads and tunnels and systems. My uncle had a sawmill, and we had all sorts of pieces of wood, and we'd create a city. I truly believe that kids enjoy the box better than the car or the toy that's inside. So many times during Christmas, watching a kid, or even myself... There is excitement toward your toy, but then you put the toy on the side and something is created with the package.
I think ambition is a desire for recognition. People want to be special. I think ambition can take in a whole package of things, power or sexual excitement.
I think there's tons of life and excitement in Paris. There are lots of old people and young people creating sexy new culture, but they're having to do it in the middle of a theme park. Paris is so dedicated to preserving its sense of itself, "we were great once upon a time," that it's hard for people who are making work right now to have to struggle in this sort of museum.
Inspiration is the most valuable commodity for an artist; it is for me anyway. I can't move forward in any way if I don't feel a strong spark of excitement or creativity. Sometimes it is very difficult to get things flowing. It's important to be in a peaceful state of mind, and then I invite the spirits to come into the studio. I don't stare into a blank canvas or paper. I look through my various collections of books, toys, statues, photographs and other things, and something will trigger an idea. My studio is packed full of things that inspire me.
Peter Biskind's Easy Riders, Raging Bulls was made all about drugs, when to most of us, that just meant pot and magic mushrooms. He made it seem like we were all shooting heroin into our eyeballs. But that's part of the whole '60s and what it represented: feminism and civil rights and trying to stop the war. Hopefully we're starting to see some of that optimism again, through the excitement around Barack Obama.
It's a weird thing to be nineteen and be in the public eye. It was a crazy thing, it was a big deal to me, and it changed me in a lot of ways. And now that it's five, six years later, I wanted to look back at that, the start of it all, the excitement and the naïveté about it, and it just fascinated me to reflect on all that.
For me, promotional thing about some new album coming out destroys a lot of the excitement of making records. Records, movies, books - they're not supposed to be like math books. The purpose of them is to kind of take us out of ourselves and give us some sort of alternate experience or respite. To try to maximize the relationship of listening to a record through promotion is like experiencing driving a car by reading about stimulus programs. It kind of defeats the purpose.
What I'm trying to do is to create excitement. So people looking at the Bloomberg's office building say, "My goodness, what's going on here? There's something different about this company." You want the employees to get psyched. And it's a chance to meet each other. My job is to get people to work together. With free food and no offices, even for Bloomberg, this might be considered one of the world's great corporate headquarters.
The most rewarding part of my work is the "Aha" moment, the excitement of discovery and enjoyment of understanding something new - the feeling of being on top of a hill and having a clear view. But most of the time, doing mathematics for me is like being on a long hike with no trail and no end in sight. I find discussing mathematics with colleagues of different backgrounds one of the most productive ways of making progress.
I don't want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of The Book of Mormon . And Girls felt very much the same way - there was an excitement about it as we were doing it; I knew it was something special.
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