What does competency in the long run mean? It means to all reasonable beings, cleanliness of person, decency of dress, courtesy of manners, opportunities for education, the delights of leisure, and the bliss of giving.
It is not every man that can afford to wear a shabby coat; and worldly wisdom dictates to her disciples the propriety of dressing somewhat beyond their means, but of living somewhat within them,--for every one, sees how we dress, but none see how we live, except we choose to let them. But the truly great are, by universal suffrage, exempted from these trammels, an may live or dress as they please.
What a fine-looking thing is war! Yet, dress it as we may, dress and feather it, daub it with gold, huzza it, and sing swaggering songs about it,--what is it, nine times out of ten, but murder in uniform!
Affectation is as necessary to the mind as dress is to the body.
A coquette is one that is never to be persuaded out of the passion she has to please, nor out of a good opinion of her own beauty: time and years she regards as things that only wrinkle and decay other women, forgetting that age is written in the face, and that the same dress which became her when she was young now only makes her look older.
Too great carelessness, equally with excess in dress, multiplies the wrinkles of old age, and makes its decay still more conspicuous.
Gentleness in the gait is what simplicity is in the dress. Violent gestures or quick movements inspire involuntary disrespect.
Happiness lends poetic charms to woman, and dress adorns her like a delicate tinge of rouge.
If a woman is poorly dressed, you notice her dress. If a woman is impeccably dressed, you notice the woman.
The expressive word "quiet" defines the dress, manners, bow, and even physiognomy of every true denizen of St. James and Bond street.
As soon as a woman begins to dress "loud," her manners and conversation partake of the same element.
Virgil has very finely touched upon the female passion for dress and shows, in the character of Camilla; who though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular.
A saleslady holds up an ugly dress and says, 'This looks much better on.' On what? On fire?
Rags, which are the reproach of poverty, are the beggar's robes, and graceful insignia of his profession, his tenure, his full dress, the suit in which he is expected to show himself in public.
In the indications of female poverty there can be no disguise. No woman dresses below herself from caprice.
The breezes of the West African night were intimate and shy, licking the hair, sweeping through cotton dresses with unseemly intimacy, then disappearing into the utter blackness.
Those magazine dieting stories always have the testimonial of a woman who wore a dress that could slipcover New Jersey in one photo and thirty days later looked like a well-dressed thermometer.
A dandy is a clothes-wearing man--a man whose trade, office, and existence consist in the wearing of clothes. Every faculty of his soul, spirit, person and purse is heroically consecrated to this one object--the wearing of clothes, wisely and well; so that, as others dress to live, he lives to dress.
A rich dress adds but little to the beauty of a person. It may possibly create a deference, but that is rather an enemy to love.
Men of quality never appear more amiable than when their dress is plain. Their birth, rank, title and its appendages are at best indivious and as they do not need the assistance of dress, so, by their disclaiming the advantage of it, they make their superiority sit more easy.
Those who are incapable of shining out by dress would do well to consider that the contrast between them and their clothes turns out much to their disadvantage.
Persons are oftentimes misled in regard to their choice of dress by attending to the beauty of colors, rather than selecting such colors as may increase their own beauty.
We sacrifice to dress till household joys and comforts cease. Dress drains our cellar dry, and keeps our larder lean.
Good-breeding is not confined to externals, much less to any particular dress or attitude of the body; it is the art of pleasing, or contributing as much as possible to the ease and happiness of those with whom you converse.
Dress has never been at all a straightforward business: so much subterranean interest and complex feeling attaches to it. As a topic ... it has a flowery head but deep roots in the passion. On the subject of dress almost no one, for one or another reason, feels truly indifferent: if their own clothes do not concern them, somebody else's do. ... Ten minutes talk about clothes (except between perfect friends) tends to make everyone present either overbearing, guarded or touchy.
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