I like drawing most everything I see, but sometimes the light will hit something in a certain way that I just cannot capture the thing the way I would like with a drawing, so I think taking a picture might be the way to document what I am seeing better.
Sometimes I draw with my left hand and I am pretty terrible. The drawings end up just looking like shakier/inconsistent (worse) versions of my right hand drawings. Sometimes I like drawing with my eyes closed.
Sometimes when I am drawing outside - when it is cold out it gets difficult (my hand gets slower when it is really cold) because I do not like wearing a glove while drawing, because I cannot feel the paper right.
I made a life-size drawing of King Kong's head which was about eight feet-by- six feet. I tried to measure the head (scaled to other things in the movie I could estimate the size of) that was in the movie in the early '30s, and I liked that I was making something "life-size" that was kind of a fictional thing.
Sometimes I will draw people and they will move away too quickly for me to finish what I wanted, and it is not enough for me to consider it a drawing of them. I hope I have gotten better at capturing things quicker in a drawing.
One time I covered a wall with 8.5×11 pages of drawings, which made things feel a little bit different in the room.
I draw in my sleep (dream of drawing) a lot. I don't think I have ever drawn anything in real life while I was sleeping, though. I do keep a pad near my bed, just in case.
I dismiss posts where one or other of the couple was wearing anything named by brand, or you know, baseball caps, or sweat pants, because I don't like drawing them, and I don't have to please anyone but myself.
There are also dozens and dozens of success stories; many couples have emailed me with their original posts. I love reading these stories, but confess I am not as interested in drawing them as the unfinished, elusive ones.
I use dull colors in my drawings because I started out using a root beer base because it seemed like an interesting idea and when it turned out that it worked quite well as an ink I started using other colors that would compliment it.
I've been very influenced by Inuit art especially some drawings and watercolors I've seen.
When I was a school kid I used to read lots of comics. This started me on drawing, I would make my own comics about my teddy bear whose name happened to be Ted.
You can't use a drawing to prove a war crime. A drawing doesn't have that notion that it's proof of a reality. Because of that, you can do all sorts of interesting things in it.
8 year old young girl came up to me when I went to speak at an elementary school, and she gave me a drawing. It was great and she said "I want to be just like you when I grow up and direct movies". And that just made me choke up. It was so cute, and the reason why she's looking at me is I look like her.
I had only two girlfriends. I didn't have many friends because I was staying at home and dreaming - drawing and dreaming.
Drawing is something I do on the side, I like to see it be of use at times.
I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being.
I don't think we're necessarily drawing from that specific sort of storyline, because I think we're all just super-blessed and grateful to have a show on HBO and to be working together and employed. But we are definitely speaking to things that our friends have experienced and others in our realm have experienced, for sure.
Well, what we do is we have a script, of course. But for us, writing is also like storyboarding. It's drawing. And so we will cut all of those drawings together with music, sound effects and dialogue. And we screen this kind of stick-figure version of the film.
The music starts as being way separate from the lyrics, and I write - I have notebooks that I fill with drawings and just words, and stuff that I've written.
It's easy to get into habitual ways of drawing things and I'm as much guilty of this as anyone else - after all, it's part of what makes a recognisable personal style. But I always try and think a lot about each image beforehand, try and envisage the best way of approaching it.
When I was three or four, I was really good at drawing and painting, and everyone used to say, "You're going to go to art college." I didn't really know what that meant.
I've been drawing since I could hold a pencil. I've got many ideas that are still to be drawn out, but the couple collaborations in development are with other actor/writers for graphic novel/comic that could potentially become a film project.
I believe consciousness is non-local and a big part of what we experience with near death and past lives. It's the consciousness that has come into us from other experiences and our consciousness that we remain aware of when we leave our bodies and they communicate with us through dreams, and even through drawings which I do a lot of work with myself.
It's crazy how intelligent kids can be at a very young age and how they know what they know. I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer.
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