I shall live forever. And I don't mean in a metaphorical sense. I don't mean I'll live forever in the hearts and minds of my readers. I mean I will literally live forever, drawing as I do from your pain and suffering.Your pain makes me strong.
Let us ban together to invent all the miracles and resurrection appearances which we never saw and le us carry the sham even to death! Why not die for nothing? Why dislike torture and whipping inflicted for no good reason? Let us go out to all nations and overthrow their institutions and denounce their gods! And even if we don't convince anybody, at least we'll have the satisfaction of drawing down on ourselves the punishment for out own deceit.
I was three years old when I started drawing. I did it all my life.
When you see a condemned man on his way to the gallows, it moves you to pity. If you could do something to free him, you would do it. Well, brothers and sisters, when I see a person in mortal sin, I see someone drawing nearer with every step to the gallows of hell. And seeing him in this unhappy state, I happen to know the way to free him: that he be converted to God, ask God's pardon, and make a good confession. Woe betide me if he does not.
Religion restricts the play of choice and adaptation, since it imposes equally on everyone its own path to the acquisition of happiness and protection from suffering. Its technique consists in depressing the value of life and distorting the picture of the real world in a delusional manner - which presupposes an intimidation of the intelligence. At this price, by forcibly fixing them in a state of psychical infantilism and by drawing them into a mass-delusion, religion succeeds in sparing many people an individual neurosis. But hardly anything more.
I met Picasso when I was a kid. I turned one of his drawings down which would be worth £37 million now. My dad wouldn't talk to me for a fortnight.
But I must work on in full calmness and serenity... The world concerns me only in so far as I feel a certain debt and duty towards it, because I have walked on the earth for thirty years, and out of gratitude want to leave some souvenir in the shape of drawings or pictures, not made to please a certain tendency in art, but to express a sincere human feeling. So this work is the aim-and through concentration upon that one idea, everything one does is simplified. Now the work goes slowly-a reason the more to lose no time.
Adversity has the effect of drawing out strength and qualities of a man that would have laid dormant in its absence.
Surely it's better to live in the country, to live on a prairie by a drawing of rivers, in Iowa or Illinois or Indiana, say, than in any city, in any stinking fog of human beings, in any blooming orchard of machines. It ought to be.
I saw a lot of lousy movies and watched a ton of crappy television and read a bunch of utterly forgettable books and comics and listened to hours of junk music as a kid. And I'm still drawing profitably in my own art on some of the tawdry treasure I stored up in those years.
I've always just loved drawing and loved cartoons. Growing up, I loved Disney films, I loved The Simpsons, and I was a big fan of the comic strip Calvin & Hobbes and the way that they would have weird fantasy and then down-to-earth funny character comedy.
As long as I could hold a pencil, I was drawing and telling stories and making jokes. I've just been lucky that no one ever stopped me, and now I can do that for a living.
I would love to do comedies and I would love to do dramas. I'm very passionate about art, music, drawing, acting, so I'd like to have the chance to get the larger choice regarding acting.
Why did Ted Geisel end up writing and illustrating for young minds? He has specific imagery in the book, and we never would have moved beyond the discussion phase, if we couldn't have found an expression for The Lorax, dimensionally, that was true to the soul of what comes through in his simple line drawings, on the page.
I definitely used to write a lot at school. Comic poetry and drawings about people.
I've been drawing since I was a little kid, but it's not something I love to do every day. If there's one thing I love to do every day, it'd probably be acting. I can act every day. I'd happily do it, you don't have to pay me. But that's one thing I'd love to do and get paid for.
Well, I definitely have an artistic side to me as well. I write, I act, I draw. With that artistic mind I have, a lot of doors have opened for me. I can try to pursue, like - if it's something using my writing skills, maybe a book. Or maybe if it's my drawing skills, some clothing designs.
Forgiveness does not mean condoning what has been done. It means taking what happened seriously...drawing out the sting in the memory that threatens our entire existence.
I've always been amazed by Da Vinci, because he worked out science on his own. He would work by drawing things and writing down his ideas. Of course, he designed all sorts of flying machines way before you could actually build something like that.
A cool tattoo design is any drawing that would also look good saggy.
I call it 'new forms'. When you're starting out, they ask you to do four or five minute sets, but once you're a headliner, you do like 90 minutes. I try to think of different things to divvy up the show, like doing drawings, playing music... I gotta carry the show, that's the problem.
I got myself a really nice nib pen, with like 15 kinds of India Ink, and tons of different nibs; I think I was just procrastinating, like, once I have the right nib, the book is just going to jump right out of my fingertips... but then it just ended up looking like the shitty drawings that I usually do.
One knows that frontal and/or profile photography is torn to pieces... Inversely, what remains of the photograph must be seen as a fragment coming to fill a gap in the drawing.
Just as the unmusical ear is not competent to judge music, so it is likewise with pictures, whether they are paintings, drawings or photos. Only a sensitive and trained eye gives us the right to judge.
A very faithful drawing may actually tell us more about the model but despite the promptings of our critical intelligence it will never have the irrational power of the photograph to bear away our faith.
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