When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
I'm not a good father and they're not children any more; the eldest is in his fifties. My relationship with their mothers broke down and, because of what the law was, they went with their mothers and were imbued with their mothers' morality in life and they were not my people any more.
I don't regret anything that I've turned down, and I don't regret anything that I've done, really.
It's rare that a good writer will sit down and write a good script. Writers are greedy too, and they don't want to work without getting paid. But quality will find its way out.
I have a fear of nuclear annihilation. I'm a child of the cold war: I didn't live more than 10 miles from a major WarPac nuclear target until the Berlin Wall came down and the CW ended. Knowing you can die horribly at any moment because of decisions made by alien intelligences thousands of miles away who don't even know you exist - there's something Lovecraftian about that, isn't there?
But look at Avatar (2009), one of the most globally viewed pieces of entertainment to have ever been made - the central emotional event of the whole movie was a tree being cut down. And the entire movie, essentially, is saying, "If we let the military industrial complex trash the place that we're living in, we will have committed an epic crime."
Film is a two dimensional thing - it goes up and down and left to right but if you put that music into that two dimensional medium, it became like a third, fourth, and fifth dimension, I really believe in that.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
I have a strong theory that all the dead people are looking down and laughing and smiling and saying "Oh look, they are so upset about the death thing."
When I'm lonely, frustrated or hurt it usually comes from a male person and from unrequited love. I often carry that pain around with me and my ribs actually start to ache. That's when I sit down and write.
In many other cultures, and certainly in the Eastern world, there's great value put on being, contemplating, and even withdrawing from the world at certain times or for certain periods of time. But we don't really have that in our culture, so it's difficult for many Westerners to learn how to sit down or lie down and just be quiet without going to sleep. We're just not trained to do it.
Many times people can access that being stage more fully and more easily if at first you are actually doing something. If you run, or dance, or do something kind of vigorous, and let the energy release, then sometimes it's easier to sit or lie down and then feel at ease and rest and be quiet and move inside.
We've lost our way, we have lost our centeredness. We don't have the time, literally, to think during the day. To listen to ourselves think. To think about where we are going, who we are, what's important. I would bet most people don't have thirty minutes in a day where they can just sit down and think. Or maybe they don't have to be sitting, they can be walking.
I honestly never sat down and said "OK, here's my style," because my whole thing was knowing everyone's style. Everything I've ever written has bits and pieces of everything I've ever heard. Any rapper that tells you different is a liar.
My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.
I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
When you make love you're using up energy; and afterwards you feel happy and don't give a damn for anything. They can't bear you to feel like that. They want you to be bursting with energy all the time. All this marching up and down and cheering and waving flags is simply sex gone sour. If you're happy inside yourself, why should you get excited about Big Brother and the Three-Year Plans and the Two Minutes Hate and all the rest of their bloody rot?
Life is a free fall parachute jump. Pray all the way down and hope for a safe landing.
A fact: one picks it up and reads it, and puts it down, and there is an end to it. But an idea! That one may pick up, and reflect upon, and oppose, and expand, and so pass a delightful afternoon altogether.
A man is designed to walk three miles in the rain to phone for help when the car breaks down - and a woman is designed to say, 'you took your time' when he comes back dripping wet.
Sex is not the ultimate high, but the ultimate high hangs out around sex. The ultimate high is the dance with another person, played so deep down and with such abandon that glee returns to grown-ups.
I don't want to let my guard down and feel too comfortable. If you become complacent, you start feeling entitled. I'm ready to go dig ditches if I have to. Whatever I gotta do to provide for my family. Whatever I gotta do to make sure that I do the best possible job at whatever wonderful opportunities I've been handed.
I've been in some beautiful places, but the prettiest sight is flying back to New Orleans. Being able to look down and say, 'I know where I am now.'
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: