I care about me now. When I didn't care about me, I was, like, 'Why is this going wrong? Why is my life so bad?' But when you don't care about yourself, nobody else is going to care about you. So I learned to love myself, even if nobody else does.
I don't care what reviewers think. If somebody hates a performance of mine, I kind of get a kick out of it. It amuses me when critics take something so irrelevant as a movie so seriously.
I've been getting in trouble my whole life and I really don't care what anybody thinks of what I do on stage as a comic.
People have Plato's form in their mind of what a leader is, or what a C.E.O. is, and it is a bunch of elements that I really don't conform to at all. I've given this a lot of thought, and I came to the conclusion that I don't care.
It's nice to be financially secure. Apart from that, I really don't care too much about money.
I need to go play football. I don't care about anything else.
Women are, in general, less shallow visually. If their man gains 10, 20 pounds, they don't care as much.
I don't care what anybody else is wearing. I feel like they're all waiting to see what I have on. If you really want to know the truth, that's what I think. They're waiting to see what I'mma do next.
It's hard to be scared if you don't feel for a character, because you don't care if they die or live.
As long as I can make an audience feel something, I don't care whether it's a good thing or bad thing, just to feel something is important to me.
Some films I say no to and they end up working very well, but I don't care, I just want to do something exciting.
I've sort of closed my mind off to reality shows: I just don't watch them, don't care about them, don't know who the characters are, but they're all in general usage.
I tried the Atkins diet in the Seventies when pregnant with my son, as I didn't want to pile on the pounds. Now, so long as I'm healthy, I don't care what my scales say.
When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
The problem with New Year's resolutions - and resolutions to 'get in better shape' in general, which are very amorphous - is that people try to adopt too many behavioral changes at once. It doesn't work. I don't care if you're a world-class CEO - you'll quit.
I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
I don't care if people think I'm gay. I know I'm not, so it doesn't bother me.
A chic guy is in a suit. I don't care what kind of tie they wear. I don't care if they even wear a tie, as long as they can carry a suit.
I don't care what people call me, labels have the negative value of making smaller boundaries for people.
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
I don't care what people think of me now, so why would I care when I'm dead?
For the most part, I don't care about what everyone else is doing, or what is popular.
I don't care if I get $50 million to do a film.
Now flip, flop, and fly, I don't care if I die.
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