If someone doesn't hate what you're doing - you're not doing very well.
I'm really hoping just to keep building on what we're doing. You have to build your core business first which is really important.
I've always remembered. This fellow said to me - if you think someones'doing you wrong, it's not for you to judge. Kill them first and then God can do the judging.
I think if you're going on thinking oh, I can do this with my eyes shut, then it's probably not the right thing to be doing, you know.
Even when I didn't know anything else about where I was or what I was supposed to be doing. You were my Wayward, even then. Everything always brought me back to you. Everything.
In that case, we need to seriously arm ourselves. (Sin) Hail Mary, full of grace – (Kish) What are you doing? You’re not Catholic. (Damien) Yeah, but I’m feeling really religious all of a sudden and it seemed like a good idea. (Kish)
On nights like this when the air is so clear, you end up saying things you ordinarily wouldn’t. Without even noticing what you’re doing, you open up your heart and just start talking to the person next to you—you talk as if you have no audience but the glittering stars, far overhead.
There's a marvelous peace in not publishing, there's a stillness. When you publish, the world thinks you owe something. If you don't publish, they don't know what you're doing. You can keep it for yourself.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
Everybody is doing you a favor when you're doing a documentary. You can't pressure them into it.
Do not, on a rainy day, ask your child what he feels like doing, because I assure you that what he feels like doing, you won't feel like watching.
As soon as you know what you're doing, you're doing it wrong.
As soon as you know what you're doing, you're doing it wrong. That's what I find with acting. As soon as it becomes padded, it becomes pat.
Can't you read? The score demands 'con amore,' and what are you doing? You are playing it like married men!
As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well.
It is better to believe than to disbelieve; in doing you bring everything to the realm of possibility.
When you get everything you wanted, I think maybe you do have to be a little grateful for the people who got you there... whether or not they thought they were doing you any favors at the time.
hard work is a misleading term. physical effort & long hours do not constitute hard work. hard work is when someone pays you to do something you'd rather not be doing. anytime you'd rather be doing something other than the thing you're doing...you're doing hard work.
But that was the thing about zero. Its weakness. Even if zero had taken over the entire universe, the biggest fascist of all, one tiny gesture could deny it. One footprint, one atom. You didn't have to be a genius. You didn't even have to know that was what you were doing. You made a mark. You changed something. It said, "A human being passed here." And changed zero to one.
I exercise. I go to the gym every day. It's about respecting what you're doing. You're going on stage. You have to sleep. You have to be prepared.
Soul Alone by Hannah Baker I meet your eyes you don't even see me You hardly respond when I whisper hello Could be my soul mate two kindred spirits Maybe we're not I guess we'll never know My own mother you carried me in you Now you see nothing but what I wear People ask you how I'm doing You smile and nod don't let it end there Put me underneath God's sky and know me don't just see me with your eyes Take away this mask of flesh and bone and See me for my soul alone
The Internet is such a tough marketplace because everyone is a click away from going back to a cat photo, or going back to whatever else they were doing. You have to win them over, and do it quickly, and do it by making something people actually want.
I think it's really useful to create parameters. The term you use can be forwarded into something more like a grid, a rubric, a system that you apply to all environments, and in so doing you create a situation in which you can locate local color, local differences within new environments.
My parents brought me up with this philosophy. You must do things. You mustn't watch what other people are doing. You must not listen to what other people are doing.
Every artist, to me, should know why they're doing what they're doing. You shouldn't create simply because it sounds good to you. That's not a real response to me.
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