I don't care if I get kicked out of every rich kid club on the planet. I will never sacrifice my integrity as a DJ...ever.
Watching people reach a higher level of consciousness. A fixation. For a few moments in their lives, they transcend and become lost in the fantasy of it all. As a DJ, I'm trying to create the opportunity for this to happen.
When I'm looking for DJ sets and stuff to drop, I look for music that I feel is gonna get the reaction I want from the crowd.
I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.
DJs and people in the street know what they like.
Genius is knowing to stay silent as others demonstrate their ignorance.
Don't put things off till it's too late. You are the DJ of your fate.
One thing I always found hard to stomach over the past few years is that being a DJ or musician is a career opportunity.
I wouldn't call myself a leader. I don't want to lead people, I want to tempt them, I want to create a new world for them, just for that very small moment, when they are losing themselves in my music. I want to inspire them
Chord progression is progression of emotions; storytelling - taking one person from one mood to the next. We are doing the same thing within a DJ set.
I think for most new kids it’s important to sound different from the rest, to have your own sound, to be able to produce something that’s not there yet . . . If you want to be unique and you want to be a big DJ, create your own style, create your own signature.
I love technology. We can be our own DJs wherever we go.
I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.
I am trying to walk a tightrope; trying to keep the DJ community happy while trying to spread the message about dance music to more people. That is the mission that I am on.
The best DJs in the world know how to pull in music from all over the place and make it work as a cohesive whole.
If you're the biggest DJ in the world, you're in a position where you can play stuff that people don't know and blow people's minds. But if you just chose to play stuff they know just to get a reaction, that's just being lazy.
I didn't go to prom - I DJ'd all my proms.
I like a challenge. I need to feel passionate about something. If I'm not passionate about it, I can't stand it. It has to feel real. DJ'ing, touring, charity work - anything.
A DJ can't just play one song. It's about playing a set, or how you connect songs in those two hours, and where you place them.
I can be a badass DJ when I want, but I am also an insufferable music snob.
I've been DJing mostly, and most DJs end up producing. That's just me.
Hip-hop is a part of rock & roll because it comes from DJ culture. DJ culture is the embodiment of all genres and all recorded music, if you actually pay attention to it.
Since the early days of humankind, dancing was always an expression of feeling good, and making someone feel good is the main intention of DJ'ing. I don't see the point of playing a record that makes people stand there, look at you and say “Umm, very interesting
I DJ and I'm a harsh critic of DJs.
That's what a DJ is at the end of the day - someone who leads where the music goes. The only thing that's changed is that in America, people have woken up in the last few years and realized it.
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