With Dior Haute Couture, the dream is already there.
I’m elated. I guess it’s better late than never. Welcome to the 21st century. It’s fantastic. I love Dior, and Rihanna is very much one of my style icons. I’m happy they got there in the end. I adore her style. She loves fashion, she’s unafraid. She uses her imagination, which is something we should all strive to do.
I tried to show that fashion is an art. For that, I followed the counsel of my master Christian Dior and the imperishable lesson of Mademoiselle Chanel. I created for my era and I tried to foresee what tomorrow would be.
Dior really was a savior. He almost single-handedly revived women's interest in clothes.
I'll never give up my Dior mascara.
In my opinion, Christian Dior was never, ever theatre.
My mum worked as a secretary for Christian Dior. She looked like a movie star.
On 9/11, that morning, I was in a Christian Dior Couture appointment at the Hotel Pierre.
And even being in the middle of it, at the LVMH group with Dior, there are certain parts of it that I'm just not really in, because it's not in me or my nature. The whole scene around it, the events, the photography ... It's never really been my thing. But I don't take a critical position on people who are very much about that either.
Dior jeans are one of my favorites.
I would prefer to use the word free. I think the Dior thing is so much freer. There was not so much free about Jil's way of working.
The Dior heritage is so broad. It has a strong presence in the work. So, when people have to define it quickly, it's, like, the Bar jacket and the movement and the luxury and the Belle Époque and so much more.
I don't find it difficult anymore, because these days, Raf is only men and Dior is only women. I found it much more complicated when I was doing Jil Sander for men and women. It wasn't that it was the same, but I'm specific about where I want to go, and when you suddenly have to do two men's collections in the same moment, that was more difficult.
My own show with Sterling Ruby, for example, seems like such a huge disconnection from Dior couture, but then I think, yeah, in both collections there was a very strong focus on the human hand and the actual work of people making garments. So in that sense, they were completely related. But I didn't realize that during the process.
I love Dior. I've been wearing some of the really beautiful structured pieces - I love a deep neck and how it accentuates a woman in that area. And, of course, Louis Vuitton. I've honestly never met someone like Nicolas. He has a really fresh perspective on life in general.
Dior makes the best lip glosses going. I'm nuts about them, especially the clear one with the silver sparkles. I got addicted to DiorShow Mascara, too. It makes you look like you're wearing false eyelashes. It's the only one that rivals Maybelline.
At LVMH, we have amazing heritage brands, and we put interesting talents in those brands, sometimes very young, like we did at Givenchy with Riccardo Tisci at the time, or like we just did with J.W. Anderson at Loewe, but also talents that are already further along in their careers, like Raf Simons at Christian Dior or Nicolas at Vuitton.
I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
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