I didn't want to look like anyone else - like Janis Joplin or Grace Slick. That's why I never went to any of the big designers.
Over the past 20 years, I have noticed that the most flexible, dynamic, inquisitive minds among my students have been industrial design majors. Industrial designers are bracingly free of ideology and cant. The industrial designer is trained to be a clear-eyed observer of the commercial world - which, like it or not, is modern reality.
When I go to a premiere I like to borrow lovely clothes and shoes from designers. It's like the library: if you return them in good condition, you get to borrow more. I'm very lucky.
Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer or engineer works. To design is to discover relationships and to make arrangements and rearrangements among these ingredients.
I am proud that my collections have received such praise, and I am even more proud to share the stage with so many talented designers.
With clothes, I like mixing what different designers do until it becomes a personal expression of how I'm feeling that day.
Sometimes I feel like what's hard for fashion designers to do is take looks from off the runway and actually put it into existence, into reality. That's really the hard part.
I have a really good relationship with a lot of designers. I like Gaultier, Billionaire and Cavalli.
I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
Not everyone has to be a model and a designer, there are so many other options that are great and long-lasting. It's just finding what you're good at and being honest with yourself.
I became a set designer for opera.
I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.
I'm interested in learning more about myself and what I value in myself and letting that be the beautiful part of me, rather than putting on the makeup or wearing the right designer.
Sometimes big designers are afraid that people won't recognize them if they change that much.
My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
I have worked with wool all my life as a designer. There's so much more to it than knitwear - it's an amazingly versatile material and can be used in so many different ways from chic to rustic.
I'm a designer, and I work very hard at that. People sometimes want to put down fashion by saying it's frivolous or superficial, but it's not that way at all. It's actually very hard work.
Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one's head as a designer.
I'm only waiting for Lindsay Lohan's fashion collection to come out. Ten years from now, there may be no real designers left.
I do think I know more about clothes than any 500 designers, because there's nothing like wearing them. You buy them, you study them, and you start to understand how they're crafted.
My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don't often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
I don't really buy designer stuff. I have a few nice things, but I don't really have the occasion to wear couture too often.
I would love to persuade Christopher Bailey to get even just a section of Burberry that's, like, organic or free trade. I love him, he's a very good person and an amazing designer, and I have a lot of respect and time for him.
There's something about the fashion world that I like, which is, I see a lot of the designers really have affection for other designers.
I'm a fashion designer and people think, what do I know?
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