The development of self-confidence starts with the elimination of this demon called fear.
The demon of pride was born with us; and it will not die one hour before us.
When you play by the rules, defy mental demons, overcome every challenge, and enjoy a walk in the country at the same time - that's being alive.
Everyday the opportunity exists to change your life. But most days, the idea of having to change the big things in life just seems like too much work. Should I lie on the couch and watch a movie, or shuld I confront my personal demons?
I think the media is a real demon.
It's not demons (who at least have a human face) but Hell itself that seems to be laughing inside me, it's the croaking madness of the dead universe, the spinning cadaver of physical space, the end of all worlds blowing blackly in the wind, formless and timeless, without a God who created it, without even its own self, impossibly whirling in the absolute darkness as the one and only reality, everything.
For many people it's Facebook, or sports on TV, whatever it is. I have my own demons that I battle. But whatever they are, you wish you could not do them. For most of us it's "I cannot get off Facebook." But imagine that your demon has you living on the street. I don't think those compulsions and obsessions are that different.
I am a serial monogamist of sorts, and have been with my girlfriend for almost four years. In imagining my brain back to worlds where I might be around someone other sexed in that way and not know them that well, speaking out loud almost seems like requiring of demon language, or money spurting.
I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.
Well, it wasn't like I was going to run out and score heroin and score an ounce of coke - but incidentally, on the road, I would usually get tanked up and as stoned as I possibly could to go on stage. And offstage, it would be a demon that would come up about twice a week.
It's very much an exploration of the human condition and how different people react and respond to their lives. And what they present to the world, in terms of who they are as characters and what is going on behind the mask, in terms of what demons their holding... and how that interacts.
First of all, you're improvising through a puppet, so you're not always yourself: you're a cow or you're a pig or you're an old woman, you know, whatever puppet you pick, or you're a demon, you know, whatever you pick up, that's what you get to be in the scene.
To conquer demons, first conquer your mind. When the mind is subdued, demons withdraw obediently. To control knaves, first control your own mood. When your mood is balanced, scoundrels cannot get at you.
Kerouac's books portray a hero and narrator free and easy, confident, sure of his rebellion against the American system. In reality, Jack was torn between Catholicism, Buddhism, and his own demon-driven pursuit of kicks, between spirit and flesh, between mom's house and the Beat coffeehouse, patriotism and subversion, men and women, society and solitude, carousing and meditation, sacred and profane, secular and divine. It's a miracle he survived as long as he did.
It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been as important as for this movie.
I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to do a movie about a teenage girl. It was a great counter to the masculinity of "Drive."
In "Drive," there's a heightened male edge. In "Only God Forgives," it was almost crawling back into the womb of the mother. And now with "The Neon Demon," being reborn as a 16-year-old girl.
The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, "I want to do a horror movie." And she goes, "What's it going to be about?" And I said, "A lot of blood and high heels."
[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
My movie [The Neon Demon] is a hyper-version of the obsession with beauty. As this crazy obsession grows, longevity does not. Everything seems to become younger and younger. The girls and people around them cannibalize themselves.
Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She had her prom at Cannes.
My demons and I are not compatible. We never have been and never will be.
Oprah is wildly successful, and she's a brilliant businesswoman. She's also somebody who's overcome a ton of demons in her own life, and that's really what shaped her. I think the same could be said for me.
You look at Cheney, Rumsfeld, Karl Rove, and Bush - if you saw them on Halloween, they wouldn't need a costume. You'd give them a treat and compliment them on what great-looking demons they were. They are demons. There's no doubt about it.
Everything is possible, from angels to demons to economists and politicians.
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