I haven't done any translating for decades now. It's something I did when I was young.
The way that house music has become so white and so sanitized over the decades and the fact it's still going on, well I think it's sad really, but at the time I really loved it. I loved all the black house music that was coming out of Chicago and New Jersey, which I just thought was really soulful.
Towards the end of the seventies pop was gaining the momentum and respectability was very high with groups like Yes and Queen who were making "classical" rock records. They were also bringing in big bucks. So the eighties became the "bottom line" decade.
Leg locomotion was, for decades, thought to be an incredibly difficult problem. There has been very, very painstakingly slow progress there, and robots that essentially lumbered along at one step every 15 seconds and occasionally fell over.
I didn't want to live in LA again, although I'd go back every couple of months to do an interview, usually with a heavy rock or metal band. And as the decade went on, so much of that scene had become totally corrupted by too much coke and money and silicone.
Over the decades, you got various companies involved in making escalators and you've got Metro varying between internal repair crews and contractors. They're dealing with old equipment, which of course is prone to break down, and the repair crews don't even know what's busted or who made the busted parts till they tear the things open. Then sometimes they have to go back to the shop and manufacture parts, because the original maker has gone out of business.
I think it's crazy that Bill Cosby has a mugshot for alleged assaults 11 years ago with no physical evidence or proof besides these womens accounts of what he did to them an entire decade later.
There have been so many interpretations of both Batman and the Joker in the comic books themselves over the decades, from one extreme to the next, and in the media, from one extreme to the next.
Science is my JAM. I am very excited to see where science and technological advancements will take us in the next few decades.
[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
I focus on faculty, as opposed to facilities, budgets, endowments or students. I do so because I believe, based on many decades of work as a teacher, a scholar and an administrator, that the quality of the faculty determines the quality of the university. Everything else flows from the quality of the faculty. If the faculty are good, you will attract good students and you will have alumni who will raise funds for you.
To be a woman in your forties, I think it's a fantastic decade.
The Middle East is the only region in the world outside of sub-Saharan Africa where rates of malnutrition actually rose over the past decade or two, instead of falling.
After a decade of war you have this Pentagon-military apparatus run amok using resources that they shouldn't be to try to manipulate U.S. public opinion.
Gore Vidal, Glenn Greenwald, Noam Chomsky, all these guys talk about how the United States became a national security state after World War II. I agree with that thesis. Essentially there's this bipartisan foreign policy elite who've been calling the shots for the last few decades and they're clearly still in control regardless of how clownish or absurd or stupid they demonstrate themselves to be. There's no shaking their orthodoxy.
Milton on speed. I am going to need about a decade to think about that. That delay in syntax, the putting off of the click of the sentence into itself, is something that has always intrigued me. I love the emotional effect of it, and never want it to be merely a gesture. Sometimes I try it and it doesn't work, so I have to put the poem aside, and try again, more simply and more strange.
I try to look at the evolution of these utopian claims. In the late '60s there was an assumption that the wealth generated by industry would be taxed and then put into social programs and it would provide a baseline of stability that would allow people to have the time for self-expression; and that social contract has eroded over the last four decades and now it's every person for themselves.
My fondness for extended monologue might have been encouraged by two decades of writing stage and radio dramas.
But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
A collection, for me, is a book of very diverse stories that somehow speak to each other, across wide geography, across time, years, decades.
I felt that if people understood the struggle of recovery, then some of the stigma of addiction might be reduced because the audience would understand in a palpable way that addiction is a disease that tells the afflicted, despite years or even decades of heartbreaking evidence to the contrary, that using will make things better.
Jeff Bridges says that the reason he's one of the few stars in Hollywood whose made his marriage last for decades is that every time they think there's no more doors left to walk through in the room, they just keep looking and keep looking until they find one.
But when you only speak using generalizations, you run the danger of denying the specific. In recent decades, millions of people have come to us from cultural groups within which women have absolutely no rights. They do not have a voice of their own and they are totally dependent on their fathers, brothers or husbands. That applies to North Africa and that applies to large parts of the Middle East. It isn't always linked to Islam.
The benefit of writing a collection - as opposed to a novel - is that I'm able to have some version of the war in each story without having to comment on its all-encompassing nature. Turn the page and here are new characters and new situations, but the war remains... Isn't that how life has been for us for over a decade?
I don't think that those things [so called common practice] ever truly existed in the way that we like to believe that they do, the way we learn about them in music history class. Those things are defined at least decades after they happen. And even then, it's a fallacy because when you're in the moment, when you're in a thriving scene of musicians, inevitably everyone is going to be doing something completely different from everyone else
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