I used to be such a daredevil but now I'm much more cautious.
I don't want to portray myself as a daredevil. I'm not at all.
I'm retired from the daredevil business.
That's another reason I did Daredevil: I didn't get killed off in it.
I love Daredevil. I thought it was enjoyable. Okay? There were critical issues with it, and that's why I wear black, some people wear red - we are entitled to our opinions.
Sometimes that light at the end of the tunnel is a train.
Bless me, Father, for I have sinned, it's been a minute since my last confession.
At the same time, as you know, unless you are a comic book reader, Daredevil is not a known thing.
This climate surrounding me has reached Clive Oppenheimer. In practical terms he sees that I'm not interested in any sort of daredevil stunts, I'm just interested in the work. And he's convinced that I'm clinically sane.
I was a daredevil before, and after I lost my sight I was the same. I loved riding bikes, scooters and horses. I even learned to box. Muhammad Ali is my hero.
For Daredevil I think Sam Wortington could be very great and intense for this character. For the vilain it's depênd of the story.
The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.
When I was developing the [TV Series "Daredevil"] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love.
I've really been very focused on 'Jessica Jones.' Our series was well on its way to being created by the time we even saw scripts from 'Daredevil,' and 'Luke Cage' didn't even have a showrunner hired then. Jeph Loeb [Marvel TV boss] is the master of the connective tissue, but each series exists in its own world.
I was not born into the world of the stuntman and the daredevil; I was born into the world of theater and writing and sculpting and classical music.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
You've never seen anything in the Marvel universe that's as grounded, as gritty, as authentic, and as raw as what these guys did last year [in Season 1 of Daredevil]. What an amazing place to bring this character into, to attempt to up the stakes and to make it more dangerous. Hopefully, we were able to do that. But as far as those movies, my concern is this show.
In a way, I'm glad I'm first because I won't have to panic about following anybody other than industry legend John Romita Jr. And he drew Daredevil: The Man Without Fear, which is one of the books that had a massive effect on me as a reader and an artist. It has been intimidating, scary, exciting, and incredibly satisfying.
Clive [Oppenheimer] and I figured out that I'm the only one probably in the film industry who is clinically sane. I say that as a joke, but there's a grain of truth to it. I'm not a stupid daredevil who jumps into the crater of the volcano to get the closest close-up, I'm not one of those. And you have to be aware that you have a crew with you and you are responsible.
The daredevil aspect to what I did there is moving a monstrously big ship over a mountain in the jungle of Peru with 800 or 900 or so native people from the area. So that idea was wild but the way it was executed was prudent. Nobody was ever hurt and when it became clear that we had to be more secure with the posts that would hold the ship, I spent 12 days having a post built that would have withstood the force of 10 times the weight of my ship.
It's funny how in the long time of me working in various countries and various situations that there is this kind of idea out in the media that I am a daredevil and that I risk the lives of everyone around me, but nobody ever gets hurt on my shoot. Some crew members sometimes, but the actors are OK.
If I have to made a Daredevil movie, I will take a completely different direction. My vision of the character is much more a drama. There will be a 1st part in the child hood of Matt Murdock and the universe of Hell kitchen. Something in the universe of the first Rocky Balboa.
The day of the daredevil reporter who refuses to see obstacles to getting the truth, and seeing it with his or her own eyes, seems to have died.
The first person who throws the rock is a lot more radical than a hundredth person.By the time the riot has attracted a hundred people, you don't have to be nearly as much of a daredevil or a hothead or committed or any of those things to want to engage in a riot.
You can't ask a guy like me why [I performed]. I really wanted to fly through the air. I was a daredevil, a performer. I loved the thrill, the money, the whole macho thing. All those things made me Evel Knievel. Sure, I was scared. You gotta be an ass not to be scared. But I beat the hell out of death.
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