I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Repetitiveness and discipline are the secrets of cake decorating. The art comes from the meticulous technique, the way it does for a dancer.
A person can be danced. In all continents the dancers carry little children on their shoulders.
In the earliest cultures any tie between the dancers is slight. In a higher level the choral dancers almost always touch one another and thus force themselves into the same stride and the same movement. The closer the contact, the stronger is the social character of the choral.
In the New Hebrides, any dancer making a mistake was assaulted, wounded, and possibly killed by bowmen posted to keep careful watch for inaccuracies in rituals.
White performances were always dull in comparison to the astonishing expressiveness of Black dancers. Behind the white person's inarticulate body were centuries of condemnation of dancing on religious grounds.
The dancer gradually introduces all that his art comprises.
A Nation's character is typified by its dancers.
I look around me and I don’t see any rock’n’roll at the moment. Instead it’s all choreography and stylists and wigs and stuff. It’s like they’re afraid to let the music breathe. No one has their own identity like the Ronettes did back in the day. We had the skirts with the slits up the side, sort of tough, sort of Spanish Harlem cool, but sweet too. We didn’t have no dancers, we didn’t have no goddamn wigs.
The feel of the place was deep, the prehistoric heartbeat of the rocks complicating the music, the people bright, all different kinds of dancers, smilers, swayers, swirlers, smokers, beer-drinking boppers, tripsters, spinners. I looked back at the crowd...and saw the show for a moment as a jewel...like a gem in a bracelet: an ornament on the body of the country, glittering in the coming darkness.
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
Dancers are both athletes and artists.
I want one word on my tombstone - dancer.
Also, it's good to have more than one profession, in case your own profession goes out of style. A Wall Street trader who's also a belly dancer will do a lot better than a trader who winds up driving a taxi.
Lightness of movement is the cardinal demand one has to make on a dancer.
It's a beautiful sight to see good dancers doing simple steps. It's a painful sight to see beginners doing complicated patterns.
I like to talk. I'm a terrible dancer. I love my hometown. I have freckles and oversized ears. I'm a geeks. I have tried not to hide who I am or what matters to me.
I’m just a person, just Jay Park, but people expect me to be the best dancer or a man with the perfect personality. That’s not me.
Creative arts, new inventions, and new ideas spring from those blessed with imagination, and magic stimulates imagination. It is no coincidence that many artists, writers, and dancers are interested in magic.
I have all these opinions about the dancers but they should be kept to myself. No one consults me. I keep asking to be invited to the dance tryouts but no one ever allows me there. I'll just say this: My general philosophy is that you can teach them to dance.
Conversations are like dances. Two people effortlessly move in step with one another, usually anticipating the other person's next move. If one of the dancers moves in an unexpected direction, the other typically adapts and builds on the new approach. As with dancing, it is often difficult to tell who is leading and who is following in that the two people are constantly affecting each other. And once the dance begins, it is almost impossible for one person to singly dictate the couple's movement.
For the Indian,dance is a personal form of prayer. When the Eagle Dancer puts on his costume,when he begins to dance to the music,he doesn't simply perform it; he actually becomes the eagle itself. The dancer is virtually inseparable from the dance.
Thinking is the biggest mistake a dancer could make. You have to feel.
A jazz musician is a combination orator, dialectician, mathematician, athlete, entertainer, poet, singer, dancer, diplomat, educator, student, comedian, artist, seducer, public masturbator, and general all-round good fellow.
In the cabaret of globalization, the state shows itself as a table dancer that strips off everything until it is left with only the minimum indispensable garments: the repressive force.
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