Well, I am as much a cheerleader for President Obama as Sen. McConnell is a Chippendale dancer.
Evolved? As a dancer? Me? I don’t fall down as much, unless it’s part of the scripted dance. I don’t step on other people’s toes anymore. I think if I started the show a one out of ten dancer, now I am a two and a half.
A tap dancer is really a frustrated drummer.
My choreography suits men very well, and the women who can do it are damn hard, strong dancers.
The actual cheerleaders in our film are all Broadway dancers.
I don't date dancers, but I've always wanted to teach guys how to dance.
I don't go to these places where there are belly dancers and this and that.
I never wanted to be a dancer. It's true! I wanted to be a shortstop for the Pittsburgh Pirates.
I didn't want to be a dancer... I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally.
For me, as an actress, being a dancer has helped me. I've done it with my feet bloody.
A long time ago, when I was a young dancer in New York City, I fell in love with Jimmy Dean and he fell in love with me.
I`m basically a hoofer, a tap dancer. I was always very good from the waist down, moving with the feet... I became what`s known as a total dancer, using the entire body in order to express what you want to express in tap dancing and line.
Every day I go out and climb, like a dancer who works on his dance. He probably has some goals, some pieces he would like to perform, but his main goal is to work on his dance. This is how he expresses himself. Both he and I are interested in the same thing. It’s the dance that counts.
Big Bang may not be the best looking and may not be the best dancers out there,but each member holds a distinct individuality as a weapon that allows them to perform freely
How many impressionist painters painted the same damned thing? How many actors have played the same part in renditions of a play or dancers do the same dances.
I try to imitate on the piano the leaps in space a dancer makes.
My kids have become wonderful dancers themselves and enjoy teaching just as much as I do.
No one would rather hunt woodcock in October than I, but since learning of the sky dance I find myself calling one or two birds enough. I must be sure that, come April, there be no dearth of dancers in the sunset sky.
I have spent all my life with dance and being a dancer. It's permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.
I am sincerely trying now to create a dance technique based entirely upon corrective exercises, created with a knowledge of human anatomy; a technique which will correct physical faults and prepare a dancer for any type of dancing he may wish to follow; a technique having all the basic movements which govern the actions of the body; combined with a knowledge of the origin of movement and a sense of artistic design.
We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. I believe that it is one of the great arts. . . . The important thing in ballet is the movement itself. A ballet may contain a story, but the visual spectacle . . . is the essential element. The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
In order that our art may arrive at the degree of the sublime which I demand and hope for, it is imperative for dancers to divide their time and studies between the mind and the body, and that both become the object of their application; but, unfortunately, all is given to the latter and nothing to the former. The legs are rarely guided by the brain, and, since intelligence and taste do not reside in the feet, one often goes astray.
The defect in wisdom and taste which exists among the majority of dancers is due to the bad education which they generally receive. They apply themselves only to the material side of their art, they learn to jump more or less high, they strive mechanically to execute a number of steps, and like children, who utter a great many words devoid of sense and relation, they execute many phrases of steps devoid of taste and grace.
All dancers have a cumulative tendency, because each beat of the tom-tom has an almost irresistible appeal. Soon, those who were just spectators would dance too.
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