There's an appreciation, not unlike that for dancers or tightrope walkers, of the body undergoing tests and coming through them by courage and technique; a desire for "clean" results.
With girls I get no respect. A belly dancer told me I turned her stomach.
I danced in a Lifetime film. We shot in Canada and I got to work with a lot of the dancers who do So You Think You Can Dance, Canada.
I remember watching Swan Lake and everybody looking exactly the same, but being able to relate because they were the only company I had ever seen even on video that had Asian dancers. The Asian community in Hawaii is actually almost as dominant as the Caucasian community. I thought "I can relate to that company because they look like people that I see every day." They weren't all little stick-thin Russian ballerinas.
I'm the only person on Earth who's not afraid to admit that black people are better dancers than white people! I said it, I said it! You were all thinking it, I said it!
Before I got into stand-up, I used to be a hip-hop dancer in a crew, and my name was J. Smoove, and my partner was J. Groove.
In France, ballet is on TV ... It's on the eight-o'clock news. It's a cool thing to be a dancer.
I wouldn't say that I am one of the greatest dancers, but I am really quite good at what I do.
May I just single out for salutations, on the "anti-war" side: Pop Stars For Appeasement, Dancers Against Democracy, Actors For Apathy, Fashionistas For Fascism and Jugglers For Genocide. All of them united under that flaccid flag of convenience, Show-Offs For Saddam.
Stand-up in general is the most raw form of entertainment. There is no pyrotechnics or back-up dancers, it's just live and die by your jokes, that's it.
I'm not a dancer, and it was very time-consuming. But I met great people, and it was flattering to be asked to be on. You don't understand how demanding that show is until you're on the inside. That is real work. Real work!
I was never a dancer before 'Shake It Up'.
We insist on permanency, on continuity, when the only continuity possible is in growth, in freedom, in the sense that the dancers are free, barely touching as they pass but partners in the same pattern. The only real security in a relationship lies neither in looking back in nostalgia, nor forward with dread or anticipation, but living in the present and accepting the relationship as it is now.
I went to an arts school as a kid. We had to take dance every other day, along with drama, music and visual arts. However, wearing black tights was something I dreaded... and still have nightmares about it to this day. I think I was a pretty good dancer. I suppose that training helped me land parts in musicals... or has just given me nightmares!
At our most primitive we are storytellers and dancers.
Dancers can get to see almost everything now. When I used to go into companies to make a piece, the dancers had hardly ever seen my work. Now they can watch it on YouTube. It means they're much faster at picking up material.
I started as a tap dancer in Durban, which is on the coast. That was an important part of growing up, turning on the radio in the morning and hearing Zulu singing or the news in Zulu.
I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.
There's a moment when you say, "Okay, I'm not going to become a dancer. I'm not going to become a painter." So in a sense, I ended up writing about those big conflicts that I felt.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, "You're the muse; you come up with it. I'll draw you however you want."
I'm not much of a dancer.
I don't have many actors in my family, but I do have a Great Uncle that is a film-maker in Philadelphia, and my great-great-grandparents were Flamenco dancers in the 30's in New York, they were Spanish dancers.
I know hands down I would lose for sure, but I would love to just dance with Beyoncé. Really, that's what my dream is. She is such a good dancer and I know I would lose, like hands down I know I would lose, but I just want to be in her presence and see her dance up close. She is so good, I am literally obsessed with her and I think she's amazing.
I've always been athletic and a dancer, so I love doing fight choreography.
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