Good choreography fuses eye, ear and mind.
Choreography is simpler than you think. Just go and do, and don't think so much about it. Just make something interesting.
When you dance, your purpose is not to get to a certain place on the floor. It's to enjoy each step along the way.
Great dancers are not great because of their technique, they are great because of their passion.
Dancers are instruments, like a piano the choreographer plays.
Conductors must give unmistakable and suggestive signals to the orchestra, not choreography to the audience.
Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.
I often say that in making dances I can make a world where I think things are done morally, done democratically, done honestly.
The dancer's body is simply the luminous manifestation of the soul.
When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.
Stay hungry to become the best that you can be. Never be satisfied with the level of artistry you've attained. You can always be better.
Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.
Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.
The Dance: A minimum of explanation, a minimum of anecdotes - and a maximum of sensations.
Dancers are the messengers of the gods.
I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.
I do not try to dance better than anyone else. I only try to dance better than myself.
Those who dance are considered insane by those who cannot hear the music.
Do it big, do it right, and do it with style.
Choreography and creativity - it's my matrix; let's see where we can move.
No artist is ahead of his time. He is his time; it is just that others are behind the times.
In Hong Kong, particularly, we craft this art for decades. The action choreographer actually is the action director. He takes over and he choreographs with - by himself or with his team, and place the camera where he feels cinematic effect to bring out that choreography.
Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.
I always thought martial arts was the most modern choreography we could have right now, and I always wanted to put it to music.
Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.
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