I realized I was not a great musical technician, if I was going to make anything interesting it would have to come from the creative side of me and not the craft side of me.
This is not a legitimate congressional exercise. This is not a fact-finding hearing. This is theater. This is a charade. This is stage craft. This is nothing more than a political hit job on a women`s right to choose. Which, by the way, is constitutionally protected.
Of course, I don't mean to imply that all writers are working in the deep waters that border on the divine. Most writers are just trying to pay the bills, like anyone else - Stephanie Meyers is the literary equivalent of a television evangelist. Fork over twenty bucks and she'll help you forget your troubles for a while. I certainly don't fault her for her success, but I hope she has no illusions about the quality of her craft or the longevity of her efforts.
I have even taught classes on writing about sex, and I've looked closely at different writers' sex scenes. On the level of craft I've given it a lot of thought. The pitfalls are simple: It can sound clinical or medical, which isn't right, or pornographic, because the characters disappear.
The craft of putting together a performance on film or television is incredibly intricate; you're putting together a story that is completely out of order, that you have to make some sense of, that you have to keep some coherence to the story, to the character.
Living in the world of the workshop, which I do as a teacher, you have to be articulate about craft. And that often involves imposing analysis on work that's in a pretty raw state.
A knowledge of craft is not the enemy of creativity. You sit down to write and realize, today's going to be a really unconscious day and I'm going to let it all out. Or, today's going to be analytical. And some days all mixed up.
I've always felt that if I worked hard enough and continued to refine my craft, while staying curious about our times and our world, I just might have something to contribute.
I really enjoyed working with Daniel [Craig], because he's a brilliant actor at the top of his game. That gave me an opportunity to learn from the best, which is what you're always looking for as a performer in order to grow and get better at your craft. It was also great because he was so nice and incredibly supportive, because it really was an intimidating experience for me. He sort of held my hand and said, "We're in this together and we'll get through it together." And he did look after me.
It's harder to work with people who are not as dedicated to their craft. It also leaves you a better actor when you finish the project, since you always feel like you've learned something.
I've always just simply seen myself as an actor. And I believe that it serves me well to just think in terms of my craft. If hypothetically, I saw myself only as a sex symbol, or as some other limited stereotype, I think I would feel like a complete failure.
To stay balanced, I exercise by walking and taking private Pilates lessons and salsa dance lessons. I also meditate and spend quality time with my kids by baking or doing crafts, hiking, going to the theater and movies.
The smell of roses, my children's bright eyes and smiles, laughing with my husband, walking on the beach, using my hands to do crafts or play guitar, brainstorming, and drinking coffee, really good coffee.
I'm not a - I'm beautiful, but I'm not working because I'm drop-dead gorgeous with a fantastic body. I think I continue to work because I'm good at my craft. I'm dedicated to bringing to life what the author is trying to portray. I try to make the producers cry and the crew laugh.
I don't spend that much time in the studio. When I first started doing music, I was in the studio every day just trying to build my portfolio. But now, even though I haven't totally mastered my craft, I'm at a pretty high level.
The fact that I still find so much beauty in a handicraft is because my mother taught us to see not just the craft as a product but the craft as an embodiment of human creativity and human labor.
Well, you're in a theater and it's 24 shots a second, your face, your body, your voice, and it's your craft, the way you earn your living, and it's indelible. It's not like writing a script - I write as well - I can't do another draft, it's done.
The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design.
Craft is not a category; it's a means. The folks running the museum [Museum of Arts and Design]are sharp, and they know this, but they are in a bind.
You have to be ready to go through peaks and valleys along the way. Be ready to sacrifice some of the things in life that are considered normal for most people for the first while. And understand the business of the film industry, because studying the art and your craft alone isn't enough anymore.
Collaboration is a nice change of pace from the often solitary nature of the writer's craft.
Do your homework, study the craft, believe in yourself, and out-work everyone.
I don't think that anything of any consequence is known a priori: all our knowledge is built up by modifying the lore passed on to us by our ancestors in light of our experiences, and the best a philosopher can do is to learn as much about what has been discovered in various empirical fields, and use it to try to craft an improved synthesis.
I just started to understand my craft, what I wanted to do as an artist. It's just a growing process. Figuring out exactly what I wanted to do and obviously I toured a whole bunch. I did a lot of song writing for other people and then just settled back into my zone.
It's a group of men - Conor included - everyone is so collaborative and cooperative, kind, considerate, very professional. And they know their craft. They know it very very well. There's no room for messing around. It's not messy at all. When I go in at this level, when I get the opportunity to play and work at this level, it's at the top of the game. I think, in life, we rise to whatever the bar is. I've been fortunate to rise with them.
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