I don't master my craft or my style enough to have any philosophy or dogma to which I feel I belong.
Every day as a kid, I went to the boxing gym. I knew boxing before I knew anything else. And I was once told if you show your child how to do something and you constantly push them, then eventually they'll become masters. They'll become a master of their craft. So that's probably what happened with me and the sport of boxing.
I know how I could beat myself: by not being disciplined, by slacking, by not dedicating myself to my craft, by not working hard, by not listening, by thinking I know it all - short like that.
My favorite actors are actors who are enigmatic and mysterious and never make the obvious choice in terms of the projects they do or who they work with or their craft. But I think that the less I know about an actor, the more chance I have of allowing their own persona to kind of slip away so I can get completely lost in the character they're playing, and the more that people think they know about your personal life, the more difficult it becomes to preserve that.
At another level, though, poems can craft an eraser - we can't revise the past, but poems allow us some malleability, an increased freedom of response, comprehension, feeling. Choice, what choices are possible for any given person, is another theme that's run through my work from the start.
For my students who are trying to learn the craft of writing in a writing class - contemporary literature is what's most useful.
If film making is magic, there's a difference between close up magic and David Copperfield. If you're doing close up magic, which independent filmmakers do, it is a very delicate craft, interpersonal relationship, and being able to enrapture a very small audience.
When you talk about painters and you talk about painters painting masterpieces, there is no painter who painted only one painting and that was a masterpiece. You have to do a whole bunch of paintings to get to the place of mastering your craft.
There's an inherent responsibility actors feel when portraying something that actually exists in the world. It's arguably something that not all actors would agree on because this is a craft, but for me, it's the emotion of what a character is going through that makes the performance what it is. We have a responsibility to bring those emotions to light.
Every experience that you experience yourself you use, because that's our craft.
The misery that oppresses you lies not in your profession but in yourself! What man in the world would not find his situation intolerable if he chooses a craft, an art, indeed any form of life, without experiencing an inner calling? Whoever is born with a talent, or to a talent, must surely find in that the most pleasing of occupations! Everything on this earth has its difficult sides! Only some inner drive - pleasure, love - can help us overcome obstacles, prepare a path, and lift as out of the narrow circle in which others tread out their anguished, miserable existences!
I'm sorry that our country and the people do not consider the arts as vital to our well-being as, say, medicine. Suffering is unnecessary. It doesn't make you a better artist; it only makes you a hungry one. However, to me the acquisition of the craft of writing was worth any amount of suffering.
Fighters are raised into MMA. It's more about what's internal, not what's God given. When you have a great fighter like Rickson Gracie or Fedor Emelianenko-they're greater than the others because they have an internal spiritual being that separates them from the rest in their craft. They have the warrior spirit.
Some of us might not understand why LeBron James is the way he is, but fortunately he found his great craft in life.
When you're a writer, you have to have the passion and the skill and the craft. It's not just enough to have the passion. You've gotta have all three.
Your life is a work of art, a craft to be carefully mastered. For patience has replaced time, and you are your own destination.
Learning the craft as an actor in Los Angeles is a very hard thing to do, in my opinion. We all come from a certain world and when you start learning the craft, you need material to read/study that you can relate to. We do not have too many Latino writers on the West Coast that I was able to relate to (or at least, I didn't know at the time). I came from the streets, so the most published authors had no relation to my world. As soon as I picked up Pinero & Guirgis, it was all over. It was my world, just in a different location. They cracked me open inside and out.
Beware of advice. Consider your sources carefully. Look them up. See if you respect what they've made. Get educated. Be informed about who's real and who isn't. Study your craft and your industry, practice all the time, challenge yourself - write things you think you can't, try things you have been told you shouldn't try - leave room for surprises, and learn how to collaborate.
Good preparation is key for me. Nowadays everyone is an actor slash writer, slash this, slash that, its cool; and you can only go so far on pure talent so you also need to know your craft well. I directed tons of shorts in college and acted in a slew of non paying acting work. You just have to be prepared. Period.
I'm not pretending to be somebody who's got really limited craft skills. I just am a person who's got really limited craft skills.
I come up short when I create music I don't like. The goal isn't to get into it to be famous; the goal is to perfect your craft and create your own sound.
People who are artists, they want their music, their art, their acting craft to get out. And once it's appreciated, that seems to be, unfortunately, enough. But you got to take care of your business, surround yourself with good counsel, and that didn't happen.
I am a good model because I have mastered my craft. I have accepted my body, I know it well and I know how to move in front of the camera.
There tends to be a sort of mundane quality to what I select - things from around the house, around the studio. I'm not ashamed of the craft shop - the art supply store - and I don't need my work to be anti-art store, but I also believe in using things that are just sort of around - it makes sense to me.
Good writing is good writing no matter what genre you're writing in, and I believe that there are only a handful of fundamental craft tools that are essential for any genre-including nonfiction.
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