The real meaning of travel, like that of a conversation by the fireside, is the discovery of oneself through contact with other people, and its condition is self-commitment in the dialogue.
I like to be on my own when I look at my contact sheets, because I'm often disappointed... But as years go by we become proud of our old contact sheets. They are a tool that allows us to fight against time.
An echo is a good way to describe the photogram, which is a visual echo of the real object. That's why I like to work with the photogram, because the contact with what is represented is actual. It's as if the border between the world and the print is osmotic.
I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no short cuts for me. I was self-taught the hard way, by trial and error.
I have never separated form and content. The photo should have a meaning. But my photos are also more or less well constructed. If they had false notes, they stayed on the contact sheet.
I think one's art goes as far and as deep as one's love goes. I see no reason for painting but that. If I have anything to offer, it is my emotional contact with the place where I live and the people I do.
Silence is never-ending speech. Vocal speech obstructs the other speech of silence. In silence one is in intimate contact with the surroundings. Language is only a medium for communicating one's thoughts to another. Silence is ever speaking.
A mystic is someone who aches for, continually searches for, direct contact with God; contact not mediated through the emotions or intellect, but a full melding of spirit and will, believing that this is not only possible but is the entire point of life in this world.
You're in direct contact with the music by having the strings under your fingers. It's not mechanical like a piano.
The idea that guys should walk into a bar and confidently initiate contact and then seduce a woman based on a short term conversation is a toxic cultural myth that robs guys of self-confidence and that holds them up to an unrealistic standard that they have to become a super-extraverted narcissist in order to 'score with women'
DUE TO OUR FEELINGS ARISING FROM CONTACT, we think and we rationalize, conceptualize, theorize, philosophize and speculate. Because of the feeling arising from the six senses, we increase our desire; we come to wrong views and wrong beliefs. We recall our past sights, smells, sounds, tastes, touches and ideas and build up more desires, thoughts, concepts, beliefs, ideas, theories and philosophies.
My attitude is that you very rarely come in contact with someone of Master Ren's level, so every opportunity I could get to learn from him I wanted to do that.
It is important that we are coming up on the millennium because what I am experiencing, just being one person out of billions, is the feeling of acceleration. I experience this through my contact with other people.
I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.
I used the Internet to keep really close contact with my fans. I think that one thing I brought over the ocean with me was the connection with my fans. They went through the process with me. They're very supportive of me, but I was nervous about that. I didn't want to make it seem like I was abandoning them.
Not surprisingly, thinkers from groups for whom whiteness was and is a problem have taken the lead in studying whiteness in this way. Such study began with slave folktales and American Indian stories of contact with whites.
If we read books all the time we would be very unhealthy, as we would not get any fresh air, exercise, or contact with nature. Also we would not spend time with other people. There are a lot of plusses to reading - it's an interactive brain workout - but like everything else that's beneficial in moderation, overdoses can be dangerous.
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty [Martin] Amt decided that he really felt his job - part of his job, as an assistant [to the] director was to make the collection available to interested people.
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who had come from Japan back to England with [Bernard] Leach when Leach was establishing his pottery.
We got a great benefit from our contact with those people [Lucie Rie, Hans Coper, Richard Batram] and met people that we wouldn't have probably met if we had simply worked at the pottery.
The job now is to institutionalize all of that [Vatican finances], and I wouldn't bet against Cardinal [George] Pell, who hasn't shied away from contact sports since his days as an Australian-rules football star.
I have had no contacts or collusions with the Russians. And my exchange with Guccifer 2, based on the content and the timing, most certainly does not constitute collusion.
Thoughts are like bullets. They go right to you. You're like the target. When you walk around and you are depressed or there is fatigue or a behavior which you're not used to, that can be someone else's energy on you. You need to know how to clean that off. Also people want to contact loved ones who have passed over.
I have a production company because this is the only job I know and this is the only career I have and the only industry I've ever worked in and the only contacts I have. It's like why wouldn't I produce?
There is an interesting and new way to be excited about the fashion world today maybe. The traditional path of fashion as simple magazine images has dissolved - we are seeing new and innovative ways to share, create, and enjoy ideas. I am challenged to learn and explore paths of finding new photographers, stylists, and vision-makers online or through direct contact, connecting with ideas and creativity in new ways, and making images with different outlets. Sometimes more unbridled avenues and unconventional ways lead to things I wouldn't have thought of yet.
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