I've never met anybody quite like [Bill Shawn]. He created - and I'm sure it was conscious - an aura about him of quietude.
The fact of the matter is that the U.S. is run by an unusually class-conscious, dedicated business class that has a very violent labor history, much worse than in Europe.
The literature is like that - they [unions] are constantly talking about the masses, the danger they pose, and how to control them. They understand what they're doing, and they're very class conscious. They press policies which work for their interests.
I think people are still conscious about how the car looks, whether they're going to be driven in it or not.
I wonder whether I might have meant "terrify us" but perhaps as well there was a less than conscious effort to show that the suppression of debate about Palestine and about the Boycott, Divestment, and Sanctions movement - within many academic circles - does seek to establish those who would address such issues in speech as already collaborating with "terrorist" regimes, although now only Hamas is officially terrorist according to the US government and its allies.
There are so many issues that impact women. When we talk about prison reform, for example, women were [once] sterilized in women's prisons. When they were giving birth, they were asked to sign paperwork but they weren't even completely conscious of what they were signing. That sounds like something that would never happen in America, but it was happening, not just in America, but in [California], one of the most progressive states in the United States.
Everybody wants their life to mean something, whether it's a conscious awareness or not, and that's why I've always known that the way liberals sell climate change works, because they tell people it's their fault but then they offer them redemption.
To challenge norms, presuppositions, practices in communities across this country - where the unconscious valorization and celebration of whiteness and conscious resistance to trying to grapple with black and brown and other peoples of color's ideas and identities - makes a huge difference.
God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.
The unconscious mind is way bigger than the conscious mind. Using tools to access its wisdom and self-organizing features is powerful medicine.
[The Theosophical Society] are ideologues in terms of the way they present the material. That's one of the reasons why, when they teach their courses, you only get a smidgen of stuff and you have to keep coming back every week. They won't do an overview. Because they're trying to bypass your conscious critical faculties by leaking the information slowly.
I do make a conscious effort to bring energy every day. Have fun, keep stuff light, all of that stuff.
I don't think I have changed my personality as much as I have evolved as a human. Before the name change, I was very timid, very self-conscious. Just not very confident. When I changed my name, it came from a place of power.
I probably had something to do with being southern. For some reason, over the last few years I've been much more conscious of that. It's probably because my friend Jack Womack has a thesis that he and I write the way we do because we're southern and we experienced the very tail end of the premeditated south.
I do believe there's a place for anger in spiritual life. Just as a mother protects a child, as parents protect offspring under threat, we need a place for the conscious use of that fire. The positive side of anger as fierceness.
You can't be conscious unless you have variable receptors... When people say the way I see the world is the way it is - that's ridiculous. We can only see it depending on the quality of our receptors and background.
I detest violence. I have a tremendous respect not only for human life but also for the animal life that I have to live with, and I believe that our destiny as human beings is to become nature-conscious as well as self-conscious, living in loving relationship and in balance and in harmony, not only with one another, but with the entire natural world.
I know one thing: that you can do a lot of things but if you don't educate people into conscious anarchism it gets frittered away.
If you're up there [on stage] thinking about what you're doing, you're just not there and it's not going to happen.So trying to learn how to overcome those - which is a normal thing to do. You're in front of a lot of people. People are going to get very self-conscious. So you have to learn to sort of overcome that tendency towards self-consciousness and just blow it wide open. And you jump in and join all those people that are out there enjoying what you're doing together.
I listen to hundreds of those hymns sung repeatedly over the years of my life. And I know that they probably influenced a rhyme scheme maybe to certain extent. They influenced the pentameter of placement of words, etc. And it's not something that's a conscious thing that occurred.
[Ho Chi Minh] was always conscious that conditions in China and Vietnam were not always the same. He "kowtowed" to the Chinese - as he had to the Soviet Union - in order to receive their assistance, but he quietly worked to limit those forms of influence of which he did not approve (such as the harsh forms of land reform and the Great Leap Forward). Unfortunately, he was not always successful in fending off those forms of external advice that he didn't agree with.
I try not to make conscious decisions about what I am looking for. I don't make elaborate preparations before I go to a location. Essentially I walk, explore, discover and photograph.
I am particularly conscious of my connection to the poets of the Harlem Renaissance because I, too, am a Black poet, born into, and shaped by, the very community in which those poets of the past produced so much of the work we associate with the Harlem Renaissance. We speak from the same place, both literally and metaphorically.
When I became conscious of being a person, when I was very small, I knew that I was from Indiana, but I had never seen Indiana. I was born there, but we moved when I was, like, a year old. I always had a sense of a place that was far away from where I was. I would research it and find out about it and I remember on Christmas morning I used to always call Indiana to find out what the weather was like; to see if it was snowing or not.
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