Lectures should go from being like the family singing around the piano to high-quality concerts.
If Detroit was a watershed concert for me, traveling with Willie Nelson through Texas and Louisiana was a milestone of a different sort.
You want to meet a bunch of really friendly people? Go to a Slayer concert. There'll be some real psychos there, but most of those people will take care of each other.
The first time I ever saw Lydia Lunch perform it was a religious experience. Not only is she intelligent and beautiful but she actually understands how "my" brain works. This almost rivals my first concert- Cindy Lauper when I was 12. She was so fascinating to me at the time. She made me want to dye my hair pink and start a band. (SO I naturally did)... All Cure records have had a great effect on me musically also.
I began ear training when I was about six months old. My mother was a concert pianist, and she started all of her children with music before they were a year old. Then she began to see that I had a musical gift...
I play these [folk acoustic] concerts and I ask myself, 'Would you come see me tonight?' - and I'd have to answer truthfully, 'No, I wouldn't come. I'd rather be doin' something else, really I would. That something else is rock... The words are pictures, and the rock's gonna help me flesh out the colors of the pictures. (1965)
You might be a redneck if you're still scalping tickets after the concert is over.
The Schnauzer listens to jazz. I listen to jazz because he likes it, and I have even gone to jazz concerts with him, but truthfully I would rather listen to retarded children pounding on pan lids with wooden spoons.
It was quite unusual to use the recorder as a concert instrument. But my mother, a pianist, actually helped me a lot by assuming that anything done on the piano can easily be done on the recorder! She helped me with technique and was just as critical about my playing as she was with her own. I think that has been one of my fortunes.
In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.
...in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
I really, really love new work, and that's why, you know, I produced a concert series supporting new musicals and stuff like that. I hope to do more things like that.
There's a whole gamut of things to do with film music that don't apply when you're making a record or if you're writing a concert piece or something.
I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
The First Amendment, however, does not say that in every and all respects there shall be a separation of Church and State. Rathe, it studiously defines the manner, the specific ways, in which there shall be no concert or union or dependency one on the other. That is the common sense of the matter. Otherwise the state and religion would be aliens to each other.
We are easily deceived about government because we are inclined to accept the following fallacies: (a) Anything legal is also moral. (b) We are not individually responsible for government action. (c) A different moral law applies to men in concert than it does when they act alone.
Even though I don't have any larger spiritual or ideological system, there is some logic in concert with a huge number of beautiful, disconcerting, screwed-up variables that results in a certain visual pleasure in violent things. Like a broken egg yolk can be the most violent thing I've seen all day, if I'm in the right mood. But also tons of trash in the woods or a burned-up trailer park can also come across as especially violent.
Notwithstanding what some regard as the institutionalization of compassion, the transfer society quashes genuine virtue. Redistribution of income by means of government coercion is a form of theft. Its supporters attempt to disguise its essential character by claiming that democratic procedures give it legitimacy, but this justification is specious. Theft is theft, whether it be carried out by one thief or by a hundred million thieves acting in concert. And it is impossible to found a good society on the institutionalization of theft.
Most big concerts sound disgusting and awful and insultingly bad. It's like going to the cinema and been shown a scratchy film which is upsidedown and the bulb had gone on the projector. The quality of large-scale live music is so shocking.
I can't stand being in Chicago anymore and hearing the Brahms Violin Concerto in the elevator. Because that shows me that when they come to the concert hall they listen to it in the same way.
I think more people in the mainstream, folks like Nancy Wilson and Luther Vandross, they have openly expressed their love for God, and when mainstream artists start expressing their love for God openly in their concerts and including gospel songs in their concert, and, you know, people started embracing it.
Every good story needs a complication. We learn this fiction-writing fundamental in courses and workshops, by reading a lot or, most painfully, through our own abandoned story drafts. After writing twenty pages about a harmonious family picnic, say, or a well-received rock concert, we discover that a story without a complication flounders, no matter how lovely the prose. A story needs a point of departure, a place from which the character can discover something, transform himself, realize a truth, reject a truth, right a wrong, make a mistake, come to terms.
I'm not sure of what the potential power of the Web is, but it is something that is here to stay, so it needs to be dealt with...It's kinda cool, though, for the fans ... because it makes what is basically a huge worldwide venue into an intimate one-on-one. I don't know of many concert halls that can do that.
Classical music was my starting point. My mum would expose me to a lot of music and take me to really weird concerts when I was possibly too young.
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