Any composer who is gloriously conscious that he is a composer must believe that he receives his inspiration from a source higher than himself.
Music acts on the whole of the organism like a magic force which suppresses the understanding and irresistibly takes possession of the entire being. To insist on analysing this force is to destroy its very essence.
I knew I couldn't sing over them, so I decided to sing under them. The more noise they made the more softly I sang. When they discovered they couldn't hear me, they began to look at me. Then they began to listen. As I sang, I kept thinking, 'softly with feeling.' The noise dropped to a hum; the hum gave way to silence. I had learned how to reach and hold my audience -- softly, with feeling.
We should make the poor uncomfortable and kick them out of poverty.
Music, being identical with heaven, isn't a thing of momentary thrills, or even hourly ones. It's a condition of eternity.
Even in winter it shall be green in my heart.
The terror of performing never goes away. Instead, you get very, very comfortable being terrified.
It is dreadful when something weighs on your mind, not to have a soul to unburden yourself to. You know what I mean. I tell my piano the things I used to tell you.
We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness. We are monkeys with money and guns.
A happy person is not a person in a certain set of circumstances, but rather a person with a certain set of attitudes.
Tim Price is one of the real ones ! A good friend and a great player !
I'm a revolutionary, money means nothing to me.
Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
A hundred years ago, of course, the question that the German Composers' Co-operative asked itself sounded a lot more fundamental: How do you create a fair share for those who ensure that works can actually be performed at all?
I feel that I belong to the 19th century. Some composers' music is very topical. It almost says, 'This is about what I read in newspapers yesterday.' Not mine.
Today each composer is not only involved in aesthetics, but he's actually trying to create his own language.
The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.
Americans can pretty much sing anything, whereas foreign singers are often limited in style, language, even composer.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
What inspires me is not so much the music as the opportunity to interact with composers. I think that has driven everything I've done.
It doesn't necessarily mean at all that the composer plays his own works best.
Do you know that my very first experience as a composer was a 'Concerto for Accordion?
Composers are the only people who can hear good music above bad sounds.
To me, all writing is like music. And especially dialogue. I studied music in college; that is what I wanted to be, a composer. Acting got me sidetracked.
Intelligent analysis of the composer's intention and strict adherence to it automatically ensures sincerity.
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