I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.
I have never acknowledged the difference between serious music and light music. There is only good music and bad music.
Don't play the saxophone. Let it play you.
One very fundamental thing has not changed and I realized that it will never change... is that I really need to go home and practice.
Good authors, too, who once knew better words now only use four-letter words writing prose... anything goes.
Communication works for those who work at it.
Joy is not in things; it is in us.
Every kind of music is good, except the boring kind.
People who have gone, are still here, in us. Places we came from, are carried to the places we go.
No one understands another's grief, no one understands another's joy... My music is the product of my talent and my misery. And that which I have written in my greatest distress is what the world seems to like best.
Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.
Because we don't know when we will die, we get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, an afternoon that is so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more, perhaps not even that. How many more times will you watch the full moon rise? Perhaps 20. And yet it all seems limitless.
Time is a great teacher, but unfortunately it kills all its pupils.
Music produces a kind of pleasure which human nature cannot do without.
A genius! For 37 years I've practised fourteen hours a day, and now they call me a genius!
One of the reasons I believe in jazz is that the oneness of man can come through the rhythm of your heart. It’s the same anyplace in the world, that heartbeat. It’s the first thing you hear when you’re born — or before you’re born — and it’s the last thing you hear.
There's people making babies to my music. That's nice.
When I’m creating at the piano, I tend to feel happy; but - the eternal dilemma - how can we be happy amid the unhappiness of others? I'd do everything I could to give everyone a moment of happiness. That's what's at the heart of my music.
I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative switftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.
Whether I was in my body or out of my body as I wrote it I know not. God knows.
To study music, we must learn the rules. To create music, we must break them.
Competitions are for horses, not artists.
Put all your soul into it, play the way you feel!
It's a great thing about being a musician; you don't stop until the day you die, you can improve. So it's a wonderful thing to do.
Music is a manifestation of the human spirit, similar to language. Its greatest practitioners have conveyed to mankind things not possible to say in any other language. If we do not want these things to remain dead treasures, we must do our utmost to make the greatest possible number of people understand their idiom.
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