Human thinking depends on metaphor. We understand new and complex things in relation to the things we already know... once you pick a metaphor it will guide your thinking.
I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.
We humans are hard to deal with. We are a loud, complex and demanding bunch. Often, we are best dealt with from a safe distance and for only brief periods of time. This could be why a lot of marriages fail.
The prison-industrial complex and the military-industrial complex are here with us and are multi-billion dollar enterprises. We can make more money off the kid in Compton if he's a criminal instead of a scholar. It's business.
With age, life becomes complex and difficult, often fraught with risk on several levels, from the practical to the fiscal.
Today's customer journey is an iterative, complex, pinball of touchpoints.
America cannot afford a rally to restore sanity in the middle of a recession. Did you even consider how many panic-related jobs that might cost us in the fear-industrial complex?
Everyone wants answers and wants to know what the timeline is. Unfortunately, it's a complex situation, and we don't have the final answers yet.
Does anyone know... does the Christian persecution complex have an expiration date? Because... uh... you've all been in charge pretty much since... uh... what was that guys name... Constantine. He converted in, what was it, 312 A.D. I'm just saying, enjoy your success.
I heard the other day of a man who paid a psychologist $50 to cure him of an inferiority complex - and later was fined $25 and costs for talking back to a traffic cop.
The artist of today is more than an improved camera, he is more complex, richer, and wider. He is a creature on the earth and a creature within the whole, that is, a creature on a star among stars.
When the thing observed... is seen as an agglomeration of pieces, the details lose their meaning and the whole becomes unrecognizable. This is often true of snapshots in which no pattern of salient shapes organizes the mass of vague and complex nuances.
Do you know how short you have to be to have a Napoleon complex in North Korea?
I'd be wary of simple solutions to complex problems.
We do not need more division. We certainly do not need something as complex and emotional as Vietnam reduced to simple campaign rhetoric.
The way a film is made tells you about its message. The processes are the same as the products. We made the film starting from processes that allowed us to find these complex ideas.
That's really why I wanted to do it. I wanted to be a part of this generation's telling of Camelot, and also get the chance to play a fantastic, complex, interesting, emotionally passionate, young lead role.
Literature sort of makes your daily operation, your daily conduct, the management of your affairs in the society a bit more complex. And it puts what you do in perspective, and people don't like to see themselves or their activities in perspective. They don't feel quite comfortable with that. Nobody wants to acknowledge the insignificance of his life, and that is very often the net result of reading a poem.
I just wanted to show the migrants as complex humans with flaws and weakness, with good and bad things, and show that they're parents and family men. I wanted to show them with everything, as they are.
I think my relationship with life has changed - I want to make more complex images than before. Complex in the sense that I try to put in a lot of information, sometimes contradictory information.
I suppose that the sympathetic/unsympathetic debate about characters sometimes feels to me like a misstatement of purpose. I always think of truly complex characters are falling between the cracks in that debate.
I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. I like a first-person narrator who can't totally be trusted.
To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.
My fascination with images open 24 hrs. is based on the complex interlocking if disparate facts heated pool that have no respect for grammar. The form then Denver 39 is second hand to nothing. The work then has a chance to electric service become its own cliché. Luggage. This is the inevitable fate fair ground of any inanimate object freightways by this I mean anything that does not have inconsistency as a possibility built in.
It's fair to say that black folks operate under a cloud of invisibility - this too is part of the work, is indeed central to [my photographs]... This invisibility - this erasure out of the complex history of our life and time - is the greatest source of my longing.
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