Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it's the only thing that ever has.
A community is like a ship; everyone ought to be prepared to take the helm.
No man is an island, entire of itself; every man is a piece of the continent.
The best way to find yourself is to lose yourself in the service of others.
Community cannot for long feed on itself; it can only flourish with the coming of others from beyond, their unknown and undiscovered brothers.
A community is democratic only when the humblest and weakest person can enjoy the highest civil, economic, and social rights that the biggest and most powerful possess.
Citizens should be looked to for what they can give of their own nobility, virtue, creative thinking, passion, and natural talent for community building and relating to others.
A healthy social life is found only, when in the mirror of each soul the whole community finds its reflection, and when in the whole community the virtue of each one is living.
Religion has always been a matter of community building; a matter of building precisely those relations of compassion, fellow feeling and - I dare to use the word - inclusion, which would otherwise be absent from our societies.
It's a small town; everybody eats in the same cafe; everybody gets their hair cut in the same barber shop. That kind of community building, I think, begins to bridge those gaps.
Genocide, after all, is an exercise in community building.
I started going out with one of my managers and he really grew me up in a lot of ways. He introduced me not just to being a full-time traveler, which I was, but he was also really very interested in history and art and continued to open my eyes up to regional history; less splashy histories. He was interested in historical societies and stuff like that. He introduced me to a way of looking at the way communities form that is the foundation for the book that I've just finished writing that has to do with what I see as effective community-building wherever I've been traveling.
Olympics are three times more likely to be employed than people of a similar age, ethnic and socioeconomic status who have not been participating. It's a correlation, not a causation as far as the statisticians go, but the fascinating question is; Is there something in participation in sports, in community-building, confidence building, self-image-building, strength building, social networking - that greatly enhance employability?
When people give up sex and give up love or they only have love in the context of tradition then I think we're missing the opportunity of saying to each other building community, building desire in community gives all of us the possibility of learning how to be who we always were terrified we'd find out we were, and then not be ashamed of it and to not have our desire and our love embedded in shame is a profound thing and it's part of what drives the movement.
I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour - all of that stuff comes together through community building with music.
Many books condemn 'secular' culture, just as many books advocate (consciously or unconsciously) accommodating ourselves to culture. Brett has written something much different: a biblically informed and culturally savvy approach to consuming culture in a God-honoring, community-building, and mission-advancing way.
Concrete, Steel & Paint portrays the core values of restorative justice-respect, responsibility and relationships-expressed through art. it is art that involves victims, offenders and communities in a dialogue that is sometimes difficult and painful, sometimes reconciling, but always engaging. As one prisoner says in the film, 'We have come together collectively through art.' It will be a great discussion tool for college classes, community groups and others interested in issues of justice, community-building, conflict resolution and socially-engaged art.
If we can develop and design streets so that they are wonderful, fulfilling places to be - community-building places, attractive for all people - then we will have successfully designed about one-third of the city directly and will have had an immense impact on the rest.
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