Colour Quotes - Page 37

• I cannot stand forward, and give praise or blame to any thing which relates to human actions, and human concerns, on a simple view of the subject as it stands stripped of every relation, in all the nakedness and solitude of metaphysical abstraction. Circumstances (which with some gentlemen pass for nothing) give in reality to every political principle its distinguishing colour, and discriminating effect. The circumstances are what render every civil and political scheme beneficial or noxious to mankind.

  Edmund Burke

  Simple, Reality, Views

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• I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.

  Georgia O'Keeffe

  Summer, Morning, Flower

  Britta Benke, Georgia O'Keeffe (2000). “O'Keeffe”

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• I'm not fighting with myself. Oh, my God. That's how I am. You know, the story of the hippo? The hippo comes to the monkey and said, listen, I'm not a hippo. So, he paint himself like a zebra. He said but he's still a hippo. He said but look at you, you're painted like a zebra but you are a hippo. So then he goes, you know, like I want be a little parrot. So, he put the colours on him and he comes to the monkey and said but, sorry, you are a hippo. So, in the end, you know, he comes and said I'm happy to be a hippo. This is who I am. So, I have to be who I am and he's happy being a hippo.

  Marat Safin

  Zebras, Sorry, Fighting

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• This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.

  Piet Mondrian

  Ideas, Expression, Lines

  "Letters of the great artists" by Richard Friedenthal, translated by Daphne Woodward, Thames and Hudson, London, (p. 236), 1963.

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• The essence of painting has actually always been to make it [the universal] plastically perceptible through colour and line.

  Piet Mondrian

  Essence, Lines, Painting

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• The stadium here in Munich is the best of the lot for me. It is absolutely fantastic, especially the way it lights up a different colour according to who is playing. It's superb

  Claudia Schiffer

  Light, Munich, Way

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• Not only do words infect, egotize, narcotize, and paralyze, but they enter into and colour the minutest cells of the brain. . . .

  Rudyard Kipling

  Cells, Brain

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• And a face above mine, white and beautiful, eyes as large as the moon. You saved me. A hand on my cheek, cool and dry. Why did you save me? Words welling up on a tide: No, the opposite. Eyes the colour of a dawn sky, a crown of blond hair, so bright and white and blinding I could swear it was a halo.

  Lauren Oliver

  Beautiful, Eye, Moon

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• Here's how the people live here, in big house-shaped boxes to keep off 'rain' and 'snow,' holes cut in the sides so they can see out. They move around in smaller boxes, painted different colours, with wheels on the corners. They need this box-culture because each person thinks of herself and himself as locked in a box called a 'body,' arms and legs, fingers to move pencils and tools, languages because they've forgotten how to communicate, eyes because they've forgotten how to see. Odd little planet. Wish you were here. Home soon.

  Richard Bach

  Moving, Rain, Home

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• If you change the way you tell your own story, you can change the colour and create a life in technicolour.

  Isabel Allende

  Life, Stories, Way

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• I often remember in this false, distorted way, and the memories are often cloaked in the colour of the sun. Sometimes I feel nostalgia for things I knew I hated when they were happening, for days spent at the beach or the swimming pool with my sisters.
  When I pick my memories apart, I realise my mind has merely played back the objective ingredients, the clichéd apparatus of happiness, the sun, the sound of splashing water, ice-cream on parched lips and cold fizzy drink on a hot tongue, and laugher too. My memory often peddles on the falsehood of past happiness. I should know this.

  M. J. Hyland

  Beach, Memories, Swimming

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• Love doesn't happen in an instant. It creeps up on you and then it turns your life upside-down. It colours your waking moments and fills your dreams. You begin to walk on air and see life in brilliant new shades. But it also brings with it a sweet agony, a delicious torture.

  Vikas Swarup

  Dream, Sweet, Air

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• The wise become as the unwise in the enchanted chambers of Power, whose lamps make every face the same colour.

  Walter Savage Landor

  Wise, Power, Political

  Walter Savage Landor (1853). “Imaginary conversations of Greeks and Romans”, p.152

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• Colour can be the true main thing in art that is widely valued – even valued by the maker of the art – for other meanings.

  Matthew Collings

  Art, Makers

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• Made up of the glories of the most precious gems, to describe them is a matter of inexpressible difficulty. For there is amongst them the gentler fire of the ruby, there is the rich purple of the amethyst, there is the sea-green of the emerald, and all shining together in an indescribable union. Others, by an excessive heightening of their hues equal all the colours of the painter, others the flame of burning brimstone, or of a fire quickened by oil.

  Pliny the Elder

  Purple, Oil, Fire

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• I suppose everybody has a mental picture of the days of the week, some seeing them as a circle, some as an endless line, and others again, for all I know, as triangles and cubes. Mine is a wavy line proceeding to infinity, dipping to Wednesday which is the colour of old silver dark with polishing and rising again to a pale gold Sunday. This day has a feeling in my picture of warmth and light breezes and sunshine and afternoons that stretch to infinity and mornings full of far-off bells.

  Angela Thirkell

  Morning, Sunshine, Sunday

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• It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.

  Edith Schaeffer

  Real, Expression, Order

  Edith Schaeffer (1972). “Hidden art”

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• The water is this marvellous blue. It’s so blue that once you see it you realise you’ve never seen blue before. That other thing you were calling blue is some other colour, it’s not blue. This, this is blue. It’s a blue that comes down from the sky into the water so that when you look in the sea you think sky and when you look at the sky you think sea.

  Niall Williams

  Thinking, Blue, Sea

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• Colour is a creative element, not a trimming.

  Piet Zwart

  Creative, Elements, Trimming

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• I can hide as much as I want in my colours

  Sara Genn

  Want, I Can

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• The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.

  Wassily Kandinsky

  Eye, Artist, Soul

  Wassily Kandinsky (1970). “Concerning the Spiritual in Art: And Painting in Particular”

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• I consider an human soul without education like marble in the quarry, which shows none of its inherent beauties till the skill of the polisher fetches out the colours, makes the surface shine, and discovers every ornamental cloud, spot and vein that runs through the body of it.

  Joseph Addison

  Education, Running, Clouds

  Joseph Addison (2017). “Delphi Complete Works of Joseph Addison (Illustrated)”, p.3178, Delphi Classics

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• Alfred Nobel stipulated that no distinction of race or colour will determine who received of his generosity.

  Abdus Salam

  Race, Generosity, Nobel

  Abdus Salam, C. H. Lai, Azim Kidwai (1989). “Ideals and Realities: Selected Essays of Abdus Salam”, p.374, World Scientific

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• Today we see the steady stream from the countryside to the city, deadly for the Volk. The cities swell ever larger, unnerving the Volk and destroying the threads which bind humanity to Nature; they attract adventurers and profiteers of all colours, thereby fostering racial chaos.

  Alfred Rosenberg

  Cities, Humanity, Today

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• I often think of that rare fulfilling joy, when I am in the presence of some wonderful alignment of events. Where the light, the colour, the shapes and the balance all interlock so beautifully that I feel truly overwhelmed by the wonder of it.

  Charlie Waite

  Thinking, Light, Color

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