There's a Legion that never was 'listed, That carries no colours or crest, But, split in a thousand detachments, Is breaking the road for the rest.
The actual basis of colour is instability. Once you accept that in lieu of something which is stable, which is form, you are dealing with something which is unstable in its basic character, you begin to get a way of dealing with it.
I learned from Seurat this important thing about colour and light, that 'a light' can be built from colour. I learned a great deal about interaction, that 'a blue' in different parts will play all sorts of different roles.
If you can allow colour to breathe, to occupy its own space, to play its own game in its unstable way, it's wanton behaviour, so to speak. It is promiscuous like nothing.
I'm what I seem; not any dyer gave, But nature dyed this colour that I have.
All art that is not mere storytelling, or mere portraiture, is symbolic, and has the purpose of those symbolic talismans which medieval magicians made with complex colours and forms, and bade their patients ponder over daily, and guard with holy secrecy; for it entangles, in complex colours and forms, a part of the Divine Essence.
The proprietor had hair so red that pigmentation had flowed out into every visible inch of his skin and even into the pinks of his eyes, as the colour of flowering cherry trees stains their leaves.
The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.
Subduing and subdued, the petty strife, Which clouds the colour of domestic life; The sober comfort, all the peace which springs From the large aggregate of little things; On these small cares of daughter, wife or friend, The almost sacred joys of home depend.
Collect impressions. Don't be in a hurry to write them down. Because that's something music can do better than painting: it can centralise variations of colour and light within a single picture a truth generally ignored, obvious as it is.
Colour-blindness always extends to the complementary colours. Those who are red blind are also green blind; those who are blind to blue have no consciousness of yellow. This law holds good for all mental phenomena; it is a fundamental condition of consciousness.
When all candles are out, all cats are grey, All things are then of one color, as who say. And this proverb faith, for quenching hot desire, Foul water as soon as faire, will quench hot fire.
When men are rightly occupied, their amusement grows out of their work, as the colour-petals out of a fruitful flower; when they are faithfully helpful and compassionate, all their emotions become steady, deep, perpetual, and vivifying to the soul as the natural pulse to the body. But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with, not innocently, as children with dolls, but guiltily and darkly.
Just as the eye was made to see colours, and the ear to hear sounds, so the human mind was made to understand, not whatever you please, but quantity.
But thou, my son, study to make prevail One colour in thy life, the hue of truth.
You can't teach colour from Cézanne, you can only teach it from something like this bubble-gum wrapper.
My talent lies in the expression of my life and creative power through light, colour and form. As a painter I can convey the essence of life.
I'm very interested in how colour and shape are perceived.
The art of British Columbia's native Indians played a big role in inspiring my creativity... the simplicity of the images, the graciousness of the lines and curves, and the emotional impact of the bright simple primary colours.
The Mackenzie had never met folk so poor in story and song and legends, and it moved him to a pity that pricked at his eyes. Without that tapestry of colour and words and ritual, what was life but eating and mating, sleeping and moving your bowels? All of them good and necessary, but not enough; and they themselves needed that framework too, to give them meaning.
The capacity to transform itself from the inside makes capitalism a somewhat peculiar beast - chameleon-like, it perpetually changes it colour; snake-like, it periodically sheds its skin.
Do you know why the leaves change colour?... Before a tree sheds a leaf it pumps it full of all the poison it can't rid itself of otherwise. That red there--that's a man's skin blotching with burst veins after an assassin spikes his last meal with roto-weed. The poison spreading through him before he dies.
Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece.
One can derive the same fun from print-making as from making mud pies and great subtlety can be achieved through the use of transparent inks, half-tone screens and even accidental colour combinations, which is often where the art hides.
[Vathek] has, in parts, been called, but to some judgments, never is, dull: it is certainly in parts, grotesque, extravagant and even nasty. But Beckford could plead sufficient "local colour" for it, and a contrast, again almost Shakespearean, between the flickering farce atrocities of the beginning and the sombre magnificence of the end. Beckford's claims, in fact, rest on the half-score or even half-dozen pages towards the end: but these pages are hard to parallel in the later literature of prose fiction.
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