The black people's struggle has vanquished racism. It was God who created colour. Today Obama, a son of Kenya, a son of Africa, has made it in the United States of America.
Allah made us all a different shade and colour. Nations and tribes recognize one another! 'Cause every single person is your sister and brother.
We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.
Except in this ignorant and material century, men have always worn precious stuffs and beautiful colours as well as women.
Colour is a human need like water and fire. It is a raw material indispensable to life
Do some interesting things that you have never done before! Add more colours to your life; enrich your existence with every kind of oddities!
While art thrives on the blazing colours of scandal, literature blossoms on the dark soil of tragedy.
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition.
Beware of color theories. Theories in color photography are dangerous. The plain fact that there are so many of them proves my point.
The only thing we are naturally afraid of is pain, or loss of pleasure. And because these are not annexed to any shape, colour, or size of visible objects, we are frighted of none of them, till either we have felt pain from them, or have notions put into us that they will do us harm.
Love seems to beautify and inspire all nature. It raises the earthly caterpillar into the ethereal butterfly, it paints the feathers in spring, it lights the glowworm's lamp, it wakens the song of birds, and inspires the poet's lay. Even inanimate Nature seems to feel the spell, and flowers glow with the richest colours.
Almost all great painters in old age arrive at the same kind of broad, simplified style, as if they wanted to summarise the whole of their experience in a few strokes and blobs of colour.
When the light of the sun shines through a prism it is broken into beautiful colours, and when the prism is shattered, still the light remains. So does the life of life shine resplendent in the forms of our friends, and so, when their forms are broken, still their life remains; and in that life we are united with them; for the life of their life is also our life, and we are one with them by ties indissoluble.
I was trained to look at colour, edges, to see negative space. I honestly think my greatest influence as a writer is from Cubism - the idea of a multi-faceted, multi-perspective way of looking at things.
Fashion is meant to be wild and expressive. I love colour but I also love basics - grungy minimalism mixed with this kind of broken-down cheerleader, is my thing.
If there's loads of material going by you don't notice the individual things quite so much. Also it really foregrounds the sonic dimensions like electronic ambient music, it's pushes all of that colour to the foreground so you hear little every atom of sound.
I don't like when things don't match. I love some Eighties fashion, like Grace Jones but primary colours only work in certain situations.
I make sure I have the best: I figure you could spend $800 on an outfit you wear three times, but with your hair it's there all the time. I also think it is really important to look after your colour once it's been done. I try and give my hair a really nourishing mask every so often to combat against all the styling. I also love to have beauty treatments that really benefit, like massages. t's divine to get up and feel all zen and relaxed.
I tried to get the word out to people who are information hubs in their communities, because they could propagate the call quickly. One challenge is that breaking science fiction means, well, breaking science fiction. Many communities of colour have a different approach to narratives of science.
Homophobia's just one form of abjection, and wherever you have a marker of deviance - skin colour, gender, gender identity, disability - you get the same mechanisms of prejudice.
The orthodox view of colour experience assumes that, when we see a colour difference between two surfaces viewed side-by-side, this is because we have different responses to each of the two surfaces viewed singly. Since we can detect colour differences between something like ten million different surfaces, this implies that we are capable of ten million colour responses to surfaces viewed singly.
I don't think that we are capable of anything like this many possible colour responses. Instead I argue that the perception of colour differences between two surfaces viewed side-by-side is a gestalt phenomenon.
There is a brain mechanism that works to identify colour differences directly, without first identifying the absolute colour of each surface. So on my view there is no reason to suppose anything like ten million colour responses to surface viewed singly.
I think my view is rather more radical than Pete Mandik's. Both of us want to show that colour perception doesn't transcend what can be conceptualized, but I don't think he goes so far as to deny that it doesn't involve different responses to all the discriminable surfaces.
After all, in supporting phenomenal concepts I am in a sense siding with introspection against the more behaviourist Wittgensteinians. But even so I don't think that introspection is powerful enough to resolve the specific issue about how many colours you can see.
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