An aggravating feature of this post-9/11 atmosphere is to cast suspicions on Muslims and on Islam as a religion that is interpreted as either inherently violent or death-oriented, with a particular animus against America and Americans.
When you're a guest star, you kinda feel like you have to prove something. Everyone else is on the show and has started establishing relationships. And you're just hoping that they're happy you were cast.
I hope that's how it is on every set - or that Teen Wolf goes on forever! Our cast is so honest with each other. There's no drama. There's no judgment. We just click. It's like a family.
One of my fave TV shows is Into the Badlands because martial arts staged well and magically and saturated colours and eye candy and coherent plot and world building. It has a strong diverse cast.
I miss the comraderie of live television - the fact that you were on the set, you worked closely with the director and the cast, that I miss. But, no, I'm happy, I'm happy doing film.
Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story.
Cynicism, disillusionment, and a dispiriting sense of purposeless has cast a shadow over American society seriously draining it of any language or vision that might imagine a different sort of society from the dysfunctional, militarizing, and deeply unequal social order that marked the current historical period.
I am a very nerdy guy. I understand that it's easier to cast me as a nerdy guy than an action star - although I would love to be an action star!
It's easier in an urban world to cast the blame outward. So I've learned a lot about my own process in that way.
I am the lucky duck because I have family . My wonderful aunt and uncle are letting me crash on their couch, which isn't really a couch...I have a room! It's been kind of a blessing for the cast because all of us have gotten so close, not knowing anyone in Atlanta. All the guys on the show have become kind of like brothers, and all of us girls are pretty inseparable.
I think it's one thing if you are turning out dozens or even a hundred stories a year, you've got to have a great supporting cast behind you. Superman had a family that developed, and it's only natural that Batman has a family of sorts that developed. I think it's a great way to keep the comics interesting and varied, to appeal to different segments of an audience, to bring new perspectives to it.
"Biblical theology" refers to something more precise than theology that is faithful to the Bible. It might be helpful to draw a contrast: at the risk of oversimplification, systematic theology tends to organize theology topically and with an eye cast on its contemporary relevance, while biblical theology tends to organize the same biblical material so that it is easier to see the distinctive contribution of each biblical book and human author, and to trace the trajectories of themes across the Bible so we see how the books of the Bible hold together.
In the seventh grade, I was about to leave wearing a jumper, when my mom said she could see my panty line. So I just wore stockings. That day I broke my ankle, and the EMS cut my tights off. I got a full cast with no stockings on and no panties.
Every film is a new adventure, and I always meet new cast and crew members that blow my mind.
It's changed dramatically in our lifetimes. Communism is gone, so now the global war is framed in religious terms. Fundamentalist religion is rampant on all sides of this war. It casts a very dark shadow over non-fundamentalist religion.
One thing people often forget when making a documentary is that, in a sense, you still have to cast, find a star, and it has all of those built-in challenges.
The biggest challenge [for movie Agnus dei] - working in a foreign country with a predominantly Polish cast and crew - also proved to be the biggest blessing. Being surrounded by all this change , [both] culturally [and] linguistically, was a new and refreshing inspiration.
The voting station was like a block and a half from my house, so me and my parents just walked on over and cast our ballots, and it was really cool. I love the civic pride of being a part of this national activity.
We got the best actors imaginable [in Kung Fu Panda]. If we could have made a wish list I don't think there would anyone else we would have added. Yeah, we've been blessed with exactly how amazing a cast of actors we have. To have someone like Bryan Cranston, who is not just an amazing actor, but who has such a range.
It's a great wake-up call for our entire industry: What movies are we making? What storytellers are we allowing to tell the stories? What people are we allowing to be cast in those stories? I think we need newer stories, and more people given the opportunity to do anything they want.
When I was just about to leave, and when I realised that I wasn't going to wake up in the morning and do this again - that was probably the hardest thing for me. Leaving this family that I'd created on set, with all the cast and the crew was very sad for me.
When I was taking my canoeing lessons I was given this oar to practice with, and I decided to have everyone sign it. All the cast and crew signed it and now I'm going to frame it.
James L.Brooks is just a very original person. So that was definitely the luckiest, most important thing that happened to me [meeting him]. Then I guess also meeting Ben Stiller. He cast me in the only thing I think I ever auditioned for and got: Cable Guy [1996]. And that led to us becoming friends.
We live on planet earth, we have the sun, and it's the most beautiful thing, the way the sun dances and the way shadows are cast.
I walk into office, which is the casting office for CBS in New York. Mainly what they cast out of this office was the CBS daytime shows. I go in and walk into this room which every seat is filled with young African-American boys and girls and they were in their teens. I went, "I'm in the wrong place. Why am I here? What's going on?"So I go in and meet Norman [Lear].
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