"Sometimes", says a fellow depressive, "I wish I was in a full body cast, with every bone in my body broken. That's how I feel anyway. Then, maybe, people would stop minimising my illness because they can actually see what's wrong with me. They seem to need physical evidence."
Films are a very tangible thing. It's making something with your hands. I think all of these guys - Roger and the whole cast of this movie - what they did was they were willing to make mistakes. They were willing to make movies that were really bad. But they learned.
The expectations of theory colour perception to such a degree that new notions seldom arise from facts collected under the influence of old pictures of the world. New pictures cast their influence before facts can be seen in a different perspective.
Acting is fun. I enjoy it, but there is just not many opportunities to do it on a serious level. It is kind of either bad community musicals, or if you are lucky enough to be cast in something serious. I feel like you really have to be going after it, and for me I am a little bit distracted.
had two smaller scripts that I had written with full black casts. And people loved the scripts, but nobody would fund them. Those roles and stories are out there. But unless you have the money to finance movies on your own, you're beholden to others, and that is a very big limiting factor.
I have a company where I'm trying to get projects off the ground. Me and my partner Madeleine Sackler, we just shot our first feature in a maximum security prison where about 95% of the cast were incarcerated men. We're editing that and there's a doc going with it.
When great men permit themselves to be cast down by the continuance of misfortune, they show us that they were only sustained by ambition, and not by their mind; so that PLUS a great vanity, heroes are made like other men.
Pride indemnifies itself and loses nothing even when it casts away vanity.
This MacGyver is a twentysomething agent who, rather than operating on his own, is part of a team engaged in high-risk missions that take them around the world. Other cast members include George Eads as Jack Dalton, Tristin Mays as Riley Davis, Justin Hires [late of the TV version of Rush Hour] as Wilt Bozer and Sandrine Holt as Patricia Thornton.
I love a large cast of characters. That's the way life is: it's flooded with people and we keep them all straight.
Well, first of all, let me say, Erik Palladino, Paul Schulze, Ian Reed Kesler, even Malcolm-Jamal Warner, Carly Pope, we just had an outstanding cast of a guest cast in [Suits].
I think a lot of other shows cast off of people's reels, and I think every one of those people came in, auditioned for those parts, and knocked it out of the park, and I thought they did an outstanding job in the course of the season.
If you work on network TV, they want to pick your casts, dictate your story and how your show works. It just becomes creativity by committee, which is never good.
If you cast really funny, talented people and let them do what they need to do, they're going to hit a home run for you without a script.
I used to search and search for that actor or actress who's exactly what's in my head. But you have to realize you have to cast whoever's super talented and super funny, and then the character has to become at least partially theirs.
I was cast in a movie [originally] called Mr. Spreckman's Boat, starring Marcia Gay Harden and Jennifer Connelly. I felt like an "actress." Both of them have won Oscars - maybe that means I might one day.
There are no gatekeepers. So all the things we want people to cast us in, we can just make ourselves.
When I'm crossing the street, I look both ways and I process the information rationally because if I make a mistake I get hurt, but when I cast a vote, kind of regardless of how I voted, doesn't make a difference and that's sort of a recipe for uninformed and irrational voting.
It's often considered elitist to say that well maybe voters are uninformed and that they should know more before they cast their votes. It's strange to say that because it's also elitist to say that to run a radio station requires skill or to be a plumber requires skill and background knowledge.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Great visions are cast one on one.
I've said that "2012" was my favorite ensemble cast, because it was so evenly good.
I love filmmaking because it's like harvesting as a farmer. I have an idea, I get the financing, I write the script and then cast and shoot and edit. Then there is opening night, and after that I get another idea.
I continue to stay close to Kellan Lutz and in touch with him. Because [the cast members of Twilight] have become so close.
I think the rapid rate at which people started caring and paying attention, because it's just something that I don't think you can really prepare for - there's no textbook on it. Just the amount of interest that people have in me and Alice and the "Twilight" series and the rest of my cast.
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