Making a cartoon occupied usually about three full days, two spent in labour and one in removing the appearance of labour.
I also do political cartoons, but a lot of them must stay, as they say, under the coat. But they are very fun to do, and in France, we have a good subject at the moment.
If your opponent has you by fifty pounds, winning a fight against him is a dubious proposition, at best. If your opponent has you by eight thousand and fifty pounds, you’ve left the realm of combat and enrolled yourself in Road-kill 101. Or possibly in a Tom and Jerry cartoon.
I dont really watch a lot of TV, but I do watch Adventure Time, The Amazing World of Gumball, and Looney Tunes and old classic cartoons.
If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.
Because good writing in a TV cartoon is so rare, I think the animation on The Simpsons is often overlooked.
Beanie and Cecil was the first cartoon I remember watching and I think there are analogies.
It's a sad day when a cartoon is doing more and cares more and pays more attention to the environment than our president.
I went to a catholic public school St Helens and learned English by watching bugs bunny cartoons.
The humor is essentially dark for a cartoon and sophisticated. But at the same time, being a cartoon gives the writers more freedom than in a normal sitcom. It always pushes the line that, despite human failings, the Simpsons are really decent people.
I'm like a Dilbert cartoon.
I did 14 movies in six years, I had a cartoon TV show, and I don't want to do that again. I just want to make unique pieces of art. That's why I quit everything when I was 14 and sat around for eight years before I did another movie.
When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
I try to make fun of myself and let people know that I�m a human being, and these things that have happened to me are real. I�m not just some cartoon who exists and suddenly doesn�t exist.
Many thanks for all of the love and good wishes sent our way from my friends out there in cartoon land... the only place where a nine month pregnant woman can still play a hot goth chick in a belly shirt!
I hated Woody Woodpecker and Scooby-Doo, but I was a cartoon freak.
First of all, you look at Rocky films now, and if that isn't a cartoon series there isn't any cartoon series. I mean there's no way anybody is going to take that amount of punishment in fifteen rounds.
Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.
The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity obsessed culture to move around genres and sort of change you ideas, change your face, you know?
It is no accident that I made Cartoon Town a simple little village - in many ways it mirrored my home town. And, yes, many of my puppet characters took on some of the more eccentric characteristics of people I knew there.
Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.
An Animated Cartoon Theology: 1. People are animals. 2. The body is mortal and subject to incredible pain. 3. Life is antagonistic to the living. 4. The flesh can be sawed, crushed, frozen, stretched, burned, bombed, and plucked for music. 5. The dumb are abused by the smart and the smart destroyed by their own cunning. 6. The small are tortured by the large and the large destroyed by their own momentum. 7. We are able to walk on air, but only as long as our illusion supports us.
Saturday morning cartoons do that now, where they develop the toy and then draw the cartoon around it, and the result is the cartoon is a commercial for the toy and the toy is a commercial for the cartoon. The same thing's happening now in comic strips; it's just another way to get the competitive edge. You saturate all the different markets and allow each other to advertise the other, and it's the best of all possible worlds. You can see the financial incentive to work that way. I just think it's to the detriment of integrity in comic strip art.
I think most of us can remember from our own childhood, just in the Disney cartoons, things that frightened us profoundly. For me it was Bambi, the scene when the forest was on fire. That was something I had nightmares about. I can't imagine being a little kid of eight and seeing Night Of The Living Dead with living corpses eating the flesh of living people.
White people made up the n-word, they knew about racial jokes before anybody, and in their old movies and old cartoons they made fun of everybody, especially black folks. Racial jokes were not new to them.
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