Everybody has a cartoon of themselves. Mine is: I write very fast, and I'm ruthlessly efficient with my time.
In Nirvana, it is you, my friend, who goes away. You take an eraser and erase yourself. It's like the Road Runner cartoons where in the middle of the cartoon, the hand of the artist appears on the screen and erases the Road Runner.
Theres a fine line between playing a dim-witted character and playing a cartoon.
My most heartfelt thank you goes to Impact Future Media and Cartoon Monkey Studio. Their dedication to the truth is very uncommon in the world we live in today. I am now, and will always be, grateful to their organizations.
My mama didn't see it comin, my daddy was there. What's my excuse? Cartoons were the root. Started with Yosemite Sam With the gun in the palm of the hand, What couldn't I demand?
It's hard to describe to people how terrible it was when you could only watch cartoons at a certain time in your life. But no, I would watch all of them - the Warner Bros. cartoons and the Bugs Bunnys and then the Tex Avery stuff. Looking back on it, they were so incredibly subversive for their time. You'd think, "Oh, they're just making jokes and this or that." But when you watch them as an adult, you think, "Oh no, they were talking about some pretty deep stuff."
Compare the emotional vocabulary available to a leader (confidence, satisfaction, indignation) with the emotions not permitted (regret, embarrassment, dread, angst, mortification, anger, surprise, wonder, doubt), and it becomes apparent why perfectly normal people, upon entering public life, transform into cartoons - because they are not free to express what a normal person would feel in their situation.
I never read comics as a kid. I guess I was lazy and watched cartoons instead.
Freedom of speech trumps political correctness. I would say our magazine would publish an anti-Semitic or Holocaust denying cartoon if it meant Jews around the world were rioting because of it and burning embassies because of a cartoon. We would want to show our readers what all the fuss was about.
I liked the girly cartoons. I was very much a girly-girl.
I have a daughter and she's the greatest thing that ever happened to me. She gives me a good excuse to watch cartoons.
It's all about being comfortable, being easy and having you be able to wear something and not having it wear you. It's classic. Every time I've tried to be bold and crazy, I feel like a Japanese animated cartoon character.
You know what's sad about this? Not the gambling, but the best way to reach college athletes is the Cartoon Network.
The fact that you see salarymen reading manga and pornography on the trains and being unafraid, unashamed or anything, is something you wouldn’t have seen 30 years ago, with people who grew up under a different system of government. They would have been far too embarrassed to open a book of cartoons or dirty pictures on a train. But that’s what we have now in Japan. We are a country of children.
I dont want to win? If that were the case why the heck am I on the bus 16 hours a day, shaking thousands of hands, giving hundreds of speeches, getting pillared in the press and cartoons and still staying on message to win?
All I want is for people not to see me as this cartoon monster.
Ray Toro is a very eccentric, crazy genius type guy. I think he's a genius. He just got this thing at the VMA. The way he played, it makes you go 'Jesus!' He's really sweet, really kind of lovable. He's like a cartoon character.
My parents were really strict about me not watching cartoons.
'The Simpsons' was about children and married parents; 'Futurama' is about people in between; they're growing up and haven't settled down. Every other cartoon show seemed to be, you know, dumb dad, bratty kids.
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
I thought I was going to make crazy cartoons for the rest of my life. I didn't think I'd ever get paid for it, didn't think I drew well enough, but I knew it made me happy.
I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show.
Now we really like to put people in boxes. As men, we do it because we don't understand characters that aren't ourselves and we aren't willing to put ourselves in the skin of those characters and women, I think, terrify us. We tend not to write women as human beings. It's cartoons we're making now. And that's a shame.
I didn't watch cartoons, I was too busy playing football.
You guys (Boko Haram) are trying so hard to convince everybody that you're such badasses. But all you've done with this kidnapping is highlight who the real badasses are, the kids you kidnapped. Compared to a teenager who knows that her desire for an education could get her dragged into a snake infested jungle to be sold as a bribe to some demented, stick-chewing cartoon villain but still gets up and goes to class everyday, fully aware of that danger - compared to their courage - I'd say Boko Haram is a bunch of little girls. But, you know what? You don't deserve that compliment.
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