A young girl is possessed by a devil, and Constantine shouts, 'I need a mirror! Now! At least three feet high!' He can capture the demon in the mirror and throw it out the window, see, although you wonder why supernatural beings would have such low-tech security holes.
Sometimes I forget what I put in. I want to capture things in that way, where you're looking into your memory, a dream or hallucination. The characters become a mixture of archetypes, [and] that's what I like. You're trying to figure it out and your brain wants to categorize things, but it can't because of this motion. You want to solve the problem, but it never gets solved. It's like when you read a really good book and the story never leaves you.
People are always invoking evolutionary psychology for everything. "Why do men hang around asking women out? Oh, to improve their reproductive success," every damn thing - religion, art - it can all be explained by evolutionary psychology. But in our hearts we know that evolutionary psychology is only sort of accurate, because it really doesn't capture what's most interesting about our lives.
Our whole dream for our home was for it to be an artist's haven. So there are paint supplies; there's a piano with a microphone and a recorder right there to capture things right in the second. There's editing equipment. There are cameras. I think the only thing in our house that people would be surprised by is the efficiency.
It is now very clear that techniques of machine-human interfacing, pharmacology of the synthetic variety, all kinds of manipulative techniques, all kinds of data storage, imaging and retrieval techniques - all of this is coalescing toward the potential of a truly demonic or angelic kind of self-imaging of our culture... And the people who are on the demonic side are fully aware of this and hurrying full-tilt forward with their plans to capture everyone as a 100% believing consumer inside some kind of a beige furnished fascism that won't even raise a ripple.
To capture the pawn, threaten the queen.
The actor's tense, he's being taped and things are not falling naturally. That's what I hate about Boadway. I feel like I'm giving a whole lot for nothing. I like to capture things and hold them there and share them with the whole world.
Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
For Fleur de Chine, I imagined the romantic and mysterious women from Asia's cinematic past-from the '30s femme fatale in a cheongsam and dark lipstick, to the'60s Hong Kong heroine of In the Mood for Love. I wanted to capture that fascinating, exquisite and slightly scandalous femininity.
The most dangerous moment of the War, and the one which caused me the greatest alarm, was when the Japanese Fleet was heading for Ceylon and the naval base there. The capture of Ceylon, the consequent control of the Indian Ocean, and the possibility at the same time of a German conquest of Egypt would have closed the ring and the future would have been black.
The preoccupation of the novelist: how to capture the living moments, was answered by the diary. You write while you are alive. You do not preserve them in alcohol until the moment you are ready to write about them.
It is not easy to describe the present position of legal opinion on advertising and free speech. Only a poet can capture the essence of chaos.
As a reporter, you develop an ear for dialogue because it's your job to capture it accurately.
There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.
Nature has been mastering itself for some time now, and it is an honor to be able to capture its beauty.
The herculean task of a photographer is to capture a momentary frame as beautiful in reality, as it would be in a dream.
The cartoon absolutely captures something that acres and acres of copy can't. And even photographs can't.
Whether it be a reggae song, rock song, a love song, the main thing was just to, whatever I was feeling, to try to capture that emotion.
The material memories are not usually part of what is said about a picture, and that is a fault in interpretation because every painting captures a certain resistance of paint, a prodding gesture of the brush, a speed and insistence in the face of mindless matter.
The most powerful military in the world cannot invade, kill or capture a network or destroy every loose weapon on the planet. The best response to this network of terror is to build a network of our own -- a network of like-minded countries and organizations that pools resources, information, ideas, and power. Taking on the radical fundamentalists alone isn't necessary, it isn't smart, and it won't succeed.
All the genres of philosophy, science, high art, athletics and politics were invented by men. But by the Promethean law of conflict and capture, woman has a right to seize what she will and vie with man on her own terms.
Personally I don't think there's any real intrinsic difference between comic books, movies, theatre, novels. I know there's sure to be some differences of some sorts. I've worked on novels, films, and video games, and in an adaptation, I guess one of the issues is that I have to be in love with the thing I'm adapting before I do it. So that can cause a problem. You can be too scared of it. You could be too reverential. But at the same time you want to try to capture this thing that you're obsessed by. You're fixated for a reason. What's the reason? You try to get ahold of it.
Look at how many great actors or entertainers have been lost to the world because they did a performance one night and that was it. With film, you capture that, it's shown all over the world and it's there forever.
Remarkable. . . . Moskos manages to capture a world that most people know only through the distorting prism of television and film, where police officers are usually portrayed as quixotically heroic or contemptibly corrupt.
I'm not contented to capture the world. I want to change it.
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