Either you capture the mystery of things or you reveal the mystery. Everything else is just information.
Photography is like a moment, an instant. You need a half-second to get the photo. So it's good to capture people when they are themselves.
The Almighty has been pleased to grant us a signal victory on Lake Champlain in the capture of one Frigate, one Brig and two sloops of war of the enemy.
The whole world is strewn with snares, traps, gins and pitfalls for the capture of men by women.
Life is so fluid that one can only hope to capture the living moment, to capture it alive and fresh ... without destroying that moment.
I was able to capture on film things the actors didn't even know they were doing.
A creative photographer is one who either captures mystery or reveals things, everything else is useless
The biggest obstacle to taking a bigger perspective on life is that our emotions capture and blind us.
Linde's Danger to Self is a warm, candid and appealing account of being an emergency room psychiatrist. Linde captures the non-conformist, hard-boiled style of the psychiatrists who work in this setting.
The camera, you know, will never capture you. Photography, in my experience, has the miraculous power of transferring wine into water.
To be successful, innovation is not just about value creation, but value capture.
Words are contact with other beings. I see a word that says something I've noticed, seen, felt, obserevd, and I capture it; "I need that word!"
All long-term social change comes from the successful efforts of one or another struggling organizations to capture the minds of a hard core of future leaders.
If you smash a city when you're trying to capture it, you actually end up providing the perfect terrain for the defenders while blocking the access for your own armoured vehicles.
Whats a gonzotic frenzy? Well its me in the throes of an ink splattering attempt to capture the feeling I have at that particular time.
The fierce ambitions of Carver Dana Andrews, son of a Baptist preacher, might well have been imagined by Horatio Alger, Jr.-- or Samuel Goldwyn-- but not the hidden costs behind those achievements. Carl Rollyson compassionately captures the man behind the movie star.
Like a Shakespearean sonnet that captures the very essence of love, or a painting that brings out the beauty of the human form that is far more than just skin deep, Euler's Equation reaches down into the very depths of existence.
In Madame Bovary Flaubert never allows anything to go on too long; he can suggest years of boredom in a paragraph, capture the essence of a character in a single conversational exchange, or show us the gulf between his soulful heroine and her dull-witted husband in a sentence (and one that, moreover, presages all Emma's later experience of men). (...) This is one of the summits of prose art, and not to know such a masterpiece is to live a diminished life.
Chronic sexual predators [to Vachss, pedophiles] have crossed an osmotic membrane. They can’t step back to the other side - our side. And they don't want to. If we don't kill them or release them, we have but one choice. Call them monsters and isolate them.... I’ve spoken to many predators over the years. They always exhibit amazement that we do not hunt them. And that when we capture them, we eventually let them go. Our attitude is a deliberate interference with Darwinism - an endangerment of our species.
One of the problems with the kill-or-capture metric is that it has often been to the exclusion of having a deeper, richer understanding of the movement, its origins, and our adversaries' mindset. The nuances are absolutely critical. Our adversaries are wedded to the ideology that informs and fuels their struggle, and, by not paying attention, we risk not knowing our enemy.
I love Dior products. They have this Capture Totale One Essential Skin Boosting Super Serum that gives you fresh, glowing, dewy skin.
I know a lot of games have been going to the facial capture. And movies like 'TinTin' are using it, as well.
THE WORLD OF YESTERDAY is ostensibly an autobiography but in truth it is much more than that. In this remarkably fine new translation, Anthea Bell perfectly captures Stefan Zweig’s glorious evocation of a lost world, Vienna’s golden age, in which he grew up and flourished.
Compound interest on debt was the banker's greatest invention, to capture, and enslave, a productive society.
The purpose of all my photos is to capture the power of nature and convey it in a way that inspires someone to feel passionate and connected to the image.
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