Cameraman Quotes - Page 2

• My technicians are my most important tools. Once I establish a rapport with them, then they would understand me in my next film. I wouldn't have to train anyone new. I give a lot of respect to all my technicians, because I'm a technician too. I wouldn't be able to convey a feeling if the writer didn't write it well, and the cameraman didn't shoot it well.

  Yash Chopra

  Writing, Giving, Feelings

  "Biography / Personal Quotes". www.imdb.com.

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• Of course, it may be that the arts of writing and photography are antithetical. The hope and aim of a word-handler is that he maycommunicate a thought or an impression to his reader without the reader's realizing that he has been dragged through a series of hazardous or grotesque syntactical situations. In photography the goal seems to be to prove beyond a doubt that the cameraman, in his great moment of creation, was either hanging by his heels from the rafters or was wedged under the floor with his lens in a knothole.

  E. B. White

  Photography, Art, Writing

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• I have to have a working knowledge of light, and optics, film emulsions and their properties, and lenses, otherwise I can't create the shoots that are the vocabulary of the films. But it is not necessary for me to be a cameraman, I can hire a cameraman.

  Sydney Pollack

  Vocabulary, Light, Lenses

  Source: www.washingtonpost.com

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• I have a team, the same team of filmmakers I worked with on 'Pi' and 'Requiem'. Which is my cameraman, and my composer, and my producer. We've all worked together for a number of films.

  Darren Aronofsky

  Team, Numbers, Together

  Interview with Tasha Robinson, www.avclub.com. November 21, 2006.

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• As a director, my job is to protect. I protect scripts, actors, cameramen, designers.

  Stephen Frears

  Jobs, Directors, Actors

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• When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.

  Barry Sonnenfeld

  Giving Up, Moving, Safety

  Source: collider.com

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• A saucer flew right over (us), put down three landing gears, and landed out on the dry lakebed. (The cameramen) went out there with their cameras toward the UFO.... I had chance to hold (the film) up to the window. Good close-up shots. There was no doubt in my mind that it was made someplace other than on this earth.

  Gordon Cooper

  Doubt, Mind, Cameras

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• As a cameraman, I was paid to stand within a few feet of Yehudi Menuhin performing. I saw Rudolph Nureyev dancing. I couldn't believe I was being paid for that.

  Michael Bond

  Believe, Feet, Dancing

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• I grew up on the sets of Bonanza and most of my (childhood) memory is (on the set of) Little House. I was actually an assistant cameraman on Highway to Heaven. So, I observed my father working for many years. He was a very giving person. I really respected the way he ran his sets. He never treated anyone differently - whether you were the guest star of the show or the grip. Everybody was treated with respect.

  Michael Landon, Jr.

  Stars, Memories, Father

  Source: www.beliefnet.com

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• I've never been conscious of having any real career plan, and I do not have a wish-list of actors, directors, screenwriters, or cameramen I'm hoping to work with. Life, I feel, has a way of leading us to the right situations and people, or at least to interesting ones.

  Viggo Mortensen

  Real, Careers, People

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• I worked on 'Blue Peter' and 'Tonight' and lots of TV plays, filmed people like Rudolf Nureyev and Ted Heath, and ended up a senior cameraman with my own crew. I'd had my first short story published in 1947, and when my writing really started to take off I decided to go freelance, and eventually left the BBC in 1965.

  Michael Bond

  Senior, Writing, Blue

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• Every film I've ever worked on, and that includes 'Braveheart' and 'Trainspotting,' I've always witnessed a director having a breakdown. Every director will have a day, without exception, where they just can't do it anymore, they don't know what to say to their cameraman, their cast. It's the sign of real, physical exhaustion.

  Peter Mullan

  Real, Trainspotting, Directors

  Guardian interview at the BFI, www.theguardian.com. November 4, 2003.

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• The pictures from the first professional photo session that the young David
  Beckham submitted himself to are extraordinary. He has a barely suppressed
  smile, as though he and the cameraman are complicit in the understanding
  that this is not yet David Beckham we see and that there is an element of
  deceit in selling the photographs as such

  Julie Burchill

  Understanding, Deceit, Elements

  Julie Burchill (2012). “On Beckham”, p.6, Random House

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• It took me three, four years, to get from my first film to my second film, banging on doors, trying to get people to give me a chance. Writing, struggling, with no money in the bank, working as an editor on the side. Working as a cameraman on the side. Getting little jobs, eking out a living. Trying to stay alive, and pushing a script that nobody wanted.

  George Lucas

  Jobs, Struggle, Writing

  "Cinematic Phenomenon". The Academy of Achievement Interview, www.achievement.org. June 19, 1999.

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• I'm not a great fan of green screen. It's not much fun for actors. It's great for directors and technical people and cameramen.

  Dominic West

  Fun, People, Directors

  "Dominic West on The Hour, John Carter, and Yes, The Wire". Interview with Will Harris, tv.avclub.com. November 26, 2012.

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• There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.

  John Cassavetes

  Writing, Differences, Knowing

  "Biography/ Personal Quotes". www.imdb.com.

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• I found the recording sessions very freeing because you can really try things. When you're filming something, if you're improvising a film and you're wasting film and wasting a cameraman's time.

  Tina Fey

  Trying, Film, Found

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• A friend of mine - a cameraman at MTV - lost a lot of weight from cycling, and I thought Id try it, too, thinking whenever you look at a cyclist they all look super-skinny, so hey, why not? But then it turned into such a psychologically satisfying thing.

  Carson Daly

  Thinking, Cycling, Mtv

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• David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.

  Edward Norton

  Reading, Giving, Guy

  Source: www.interviewmagazine.com

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• What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman.

  Walker Evans

  Photography, Believe, Quality

  Walker Evans, Maria Morris Hambourg, Metropolitan Museum of Art (New York, N.Y.), San Francisco Museum of Modern Art, Museum of Fine Arts, Houston (2000). “Walker Evans”, p.131, Metropolitan Museum of Art

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• A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.

  Oliver Stone

  Lunch, The End Of The Day, Three

  Source: www.chud.com

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• It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.

  Christopher Walken

  Thinking, People, Trying

  Source: www.interviewmagazine.com

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• For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the cameraman and it helps the director, and it helps the actors know what the feel is.

  Denis Leary

  Song, Believe, Play

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• Baseball is meant to be fun, and not all the solemn money-men in fur-collared greatcoats, not all the scruffy media cameramen and sour-faced reporters that crowd around the dugouts can quite smother the exhilarating spaciousness and grace of this impudently relaxed sport, a game of innumerable potential redemptions and curious disappointments.

  John Updike

  Sports, Baseball, Fun

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• People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right?

  Harold Evans

  People, Departed, Cameras

  Harold Evans (1978). “Editing and Design: Pictures on a page”

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