It`s the nature of cable news that we [TV hosts] do a lot of clipping and quoting of other broadcasts and outlets, sometimes to make a narrative point, sometimes to make a political one, and sometimes just to make a joke.
USA belongs to a handful of men who also control the media. Look at General Electric. It produces nuclear weapons for the Pentagon and also owns the NBC News cable channel, which is a very sophisticated censure apparatus, intrinsic to the system. It's genius. It's like an electronic cage around the nation which blocks information from getting through.
The stories about broadcast dying or it being overtaken by cable have stopped. Same goes for the stories about the Internet hurting our business.
One of my bosses happened to be one of the early architects of some of the ways Internet providers work. He taught me how the cables connect, how the telecom providers work... I learned how to make my own Ethernet cables, all the way up to running a small business.
Our legislation addresses broadcasts over the public airwaves, but I hope the cable and satellite industries see the importance of this issue and voluntarily create a family tier of programming and offer culturally responsible products.
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
Listen, a cable series is a beautiful thing because there's such amazing writing happening on television, and it's a schedule that allows you to do a play or two. There's a reason everybody wants that job!
You wouldn't think such a place as San Francisco could exist. The wonderful sunlight there, the hills, the great bridges, the Pacific at your shoes. Beautiful Chinatown. Every race in the world. The sardine fleets sailing out. The little cable-cars whizzing down The City hills. And all the people are open and friendly.
He [George Washington Cable] has taught me to abhor and detest the Sabbath day and hunt up new and troublesome ways to dishonor it.
I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.
I've worked in network and cable on and off for a number of years, and you just understand what your parameters are. A lot of times, I think the best work that my team has come up with comes from having to deal with certain boundaries.
I'm doing 5000 seat theaters and audiences are going nuts, it's fantastic and it makes me very happy. I'm dirty, but not like this; I just do comedy that I find funny. I'm working on a new tv show for cable and it's not set up yet.
I get really frustrated during a crisis when I go through all the cable channels and find - very often with the exception of CNN - that I'm not watching news at all. You think, 'Well, God... there are talk shows, talk shows, talk shows and everyone is an expert!
I also urge the Obama administration - both on its own and in cooperation with other responsible governments around the world - to use all legal means necessary to shut down WikiLeaks before it can do more damage by releasing additional cables. WikiLeaks' activities represent a shared threat to collective international security.
The whole cable-TV original programming just changed the nature of television.
With drama, especially, it seems like the bigger the budgets and the edgier the characters, the more interesting they are. We're very lucky because 'Modern Family' wouldn't fit on cable: they'd want us to push it more and be edgier and turn it into something that it's not.
Obviously sex and nudity sells, but that's what people go to cable for but that's not going to happen on network daytime television... so I think it really is always going to come down to story. How do you make a story interesting enough so people will tune in? That's always going to be it.
On cable TV, they have a weather channel
To me, love is a pure idea forged in flesh, awkwardly maybe, but it had to connect to somewhere, despite twists and turns of underground cable. An all-too-perfect thing. Sometimes the lines get crossed. Or you get a wrong number. But that's nobody's fault. It'll always be like that, so long as we exist in this physical form. As a matter of principle.
In ways and thoughts of weakness and of wrong, Threads turn to cords, and cords to cables strong.
I made the mistake of watching "A.I." on cable the week they showed it about 792 times, and I ended up watching it every time it was on.
I realized that even in a world of proliferating media venues, online and in print, and on TV and on countless cable channels, the idea that I could be considered an expert on chronic knee pain was I think troubling for society, but very exciting for me.
There are shows, a lot of small cable shows like Breaking Bad, where in the general population nobody watches them really, but everybody in Los Angeles in the industry watches them, and to get a small role on a show like that actually, in some respects, advances your career more than having a huge hit role on a genre show because they are somehow dismissed as a secondary market in this industry
I'm a lot smarter and thoughtful of a comedian. This market is different than it was. You don't have to have cable to hear this comedy. It comes on a basic channel, and that's one of the biggest differences between now than when I first started.
If you make something good, eventually the audience will be there, eventually there will be something on the Internet that is a cultural phenomenon that's not available anywhere else, that's not available on television broadcasts, that's not on cable, it's only on some Web site. And the world will find it. And when that happens, it will be what the 'kiss' was to the theatrical movie business, 5,000 years ago or whenever it was.
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