As for the European far left, it has very little to do with Marxism-Leninism these days. It has more to do with anti-Semitism, racism, anti-migration. They claim to be left-wing but they're espousing positions which would actually be classically brown.
I like that Sleepy Brown guy who's down with Andre. He's so great.
I was reading a Time magazine interview with an author named Brené Brown. She said, "People that fail seem to ultimately do the same thing they think works over and over again." I had an epiphany and called my manager and started a creed with my producers. I promised we'd do whatever was best for the song and the album - no ego would get in the way.
I just remember not having access to films as a young person who loved films but living in Compton. In order to see the film, I had to get on the bus and travel quite a ways to get to an arthouse theater - none of which you're gonna find in black and brown communities - to see anything that was outside of what the studios fed me, and that's not the case anymore.
I can only cook brown rice and vegetables, so I don't get too many people coming over for dinner parties or anything.
Ajamu Baraka is a human rights advocate and an international human rights advocate, who's been defending racial justice, economic justice, worker justice, indigenous justice, and justice for black and brown people all over the world, and in the United States has been helping to lead the charge against the death penalty here, and is an extremely eloquent and empowering person. And one of the great things about running with him is that we speak to all of America.
Because Ajamu Baraka speaks in the language of his community, and makes no bones about it, he really invites in a whole new demographic of voters who have been locked out? - African-American and black and brown people and indigenous people? - who have felt like this system has no place for them. And he is unapologetic about standing up for the rights of the oppressed people and against colonialism and against imperialism.
When Donald Trump yells at his supporters to throw somebody out of the hall - and usually that somebody is brown or black or often is - that means he's galvanizing a kind of mob spirit, which is also a racial mob spirit.
I've learned to love my brown eyes.
If some of the recovery money had gone to cities instead of states, the urban population, read "Black" and "Brown," would be better off with recovery jobs.
I'd known the people at Rolling Stone for a while. I'd gone to them with a piece I'd done on Beirut for Vanity Fair that Vanity Fair didn't want to publish, because they said I was making fun of death... This was Tina Brown.But they paid me for it. So I've got this big chunk of a piece, and Rolling Stone liked it, but they thought it was a little dated. But then they called me back and asked me to do a similar piece about the Turks and Caicos Islands, where the whole government had been arrested for dope smuggling. That was fun.
When we work all over the planet, it's mostly poor and black and brown and young people, because that's mostly what the world [environmentalism] is.
I met the guys at HeavyRoc through the drummer in St. Lucia, Nick Brown. He is Ben from The Knocks' cousin, and at the time we'd been doing some work together, but everything was still very much in the unsure developmental phase (even though I'd been in it for a year and a half). I told him that if he was going to play the music for anyone that he shouldn't say anything about it and should just play it and see if anyone says anything, and he did it one day at their studio and they loved it and got it touch.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.
The subset of our population that has not benefited from the advancement of medication is black and brown people.
I think that a big part of the energy that was going into fighting AIDS was reduced when we saw that more of the new infections were among our black and brown young people. That's a sad truth to have to claim, but I believe it's true.
Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.
The wiping out of millions of homes took away Black and Brown wealth. It drove poverty, it drove unemployment, it drove people to food stamps.
As a brown artist, I have mixed feelings about my relationship to art and my "responsibilities" post-Trump.
My passion today is not only justice for the Black man and woman of America, but for all those who cry out to the Supreme Being for justice in their lives - and that's Black, Brown, Red, Yellow and White, for the whole of humanity has been deprived of that which The Creator has ordered for us, and that is freedom, justice, equality, and submission to the Will of Allah.
Every revolutionary thinker in America, White, Black, Brown or Red, never got the true representation from the corporate-controlled media.
[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.
Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."
To challenge norms, presuppositions, practices in communities across this country - where the unconscious valorization and celebration of whiteness and conscious resistance to trying to grapple with black and brown and other peoples of color's ideas and identities - makes a huge difference.
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