Sometimes, when things go well on a set, or when you are working with somebody like Pedro Almodovar, Woody Allen, Rob Marshall or somebody so talented and so inspiring, it's really beautiful, what happens there.
When you really have the preparation time and things start taking the shape that they need, you have a beautiful feeling that comes from the hard work.
In my mother's church, everybody read the Bible and it was mostly about music. My mother had the most beautiful voice I have ever heard in my life. She could sing anything - classical, jazz, blues, opera. And people came from long distances to that little church she went to - African Methodist Episcopal, the AME church she belonged to - just hear her.
There's very few people who want to just make beautiful films that make money when they can make films that make huge money.
I got to take my kids to the London eye with no one looking at me like I was Johnny Depp. They did look at me like I was some kind of sicko walking around with beautiful kids, but I had a perfect disguise.
For me, noise is not something I use to shock, or because it's funny, or weird, or whatever. I use it because I find it beautiful.
I think creativity becomes really beautiful and magical when you allow it to do what it's needing you to do.
I adore Susan Sarandon, she's just so cool, and brilliant, and beautiful. I just like her whole vibe - off- and on-screen.
Well, there is something beautiful about ruins. I mean, in one sense it's not that different from going to Rome and looking at the Forum. But it's changing. It truly is. I'm optimistic but skeptical.
Going after ISIS, it's beautiful, I like it.
So when I was working with Amy Winehouse on "Back To Black," you know, she had all these beautiful songs, incredibly well-written and just her on an acoustic, nylon-string guitar. And she'd play them for me, and then I would kind of drum up my idea of what I thought - make a demo with what I thought the drums should be doing, the guitars - like, quite a crude demo.
Eleanor Roosevelt started off almost every early article she wrote, starting with, "My mother was the most beautiful woman I'd ever seen." And I think her life was a constant and continual and lifelong contrast with her mother.
Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French.
I think FDR was very dashing and charming and debonair, and probably reminded her of her father. A great bon-vivant. He loved to party. He loved to sing. He loved to have fun. And he wrote beautiful letters, just as her father did, which - alas and alack - Eleanor Roosevelt destroyed. But she refers to his beautiful letters. And she was charmed by him.
And of course, FDR was very charming. At 6'2", he was tall enough to be her beau, and they made a beautiful couple. And she could encourage him. His mother also encouraged him. So this notion of a woman with ideas of her own and a spirit of her own and a style of her own was very congenial to Franklin. And he loved her. And their romance was a very dear and true and deep romance.
Well, in Washington, this is a very hard time for Eleanor and Franklin. This is when Lucy Mercer first appears. And Lucy Mercer is Eleanor Roosevelt's own secretary. Very beautiful young woman, not unlike Eleanor Roosevelt: tall, blonde, thick haired. And FDR is having an affair with her, which Eleanor Roosevelt finds out when FDR returns from Europe in 1918 with the famous flu of 1918.
I think as a woman, the more you embrace who you are, and your own opinions, and how you feel, and the body you have been given- I think the more confident you are and the more beautiful you look. I definitely feel that my confidence has grown as I've entered my 30s. I have my own opinion - it's very valid - and that shows on the outside as well.
As long as there's a place for sundials and gardening and beautiful things, there's a place for the harpsichord. I completely reject the idea that harpsichord is old. And I reject the idea that something old is therefore not good or not popular. Lots of things are old. Lots of traditions are old - cooking, art. I like it because it's beautiful.
The story of Judith. But one of the reasons I'm doing it is because the roles I've been writing for myself over the past few years have gotten older and older. And I thought, You know, before it's too late, I want to play a sexy, tough young gal again. And I always wanted to do a Biblical epic. So, I'll play a beautiful young widow who saves her people from the Assyrians.
Waterlilies always come in Buddhist sculpture. The Buddhas all stand on lotus pedestals, because the lotus is grown from the mud. The mud represents the stained world, a dirty world, but growing from the dirt is such a beautiful, pure thing. This is the way the spirit should be.
I didn't even think about hiding anything - I honestly went into it [with the idea that] I'm going to show myself off because no one of my size has ever been in this magazine [Sports Illustrated] and I need other women to know that they are just as beautiful.
One of the things that's amazing about reading the private writing of these folks is that they enthusiastically describe things which we have now seen, and which are widely regarded as unappealing. They'll write, "It's going to be beautiful, we're going to have a town of 1,000 stone buildings that are all identical." And we as modern readers think, we've seen that; that's bad Soviet architecture or a public housing project. Nobody fantasizes about living there.
The best stuff that Cicero wrote, in the first century in Rome, were the Philippics, a series of speeches that he delivered against Marc Antony, whom he thought was irreparably dismantling the Republic of Rome. Those speeches are powerful because they're not only really pointed but they're thrillingly beautiful - and that's precisely what made them dangerous: the fact that people wanted to read them.
Mastering is your last chance to fix or address any issues that you may have before giving birth to this beautiful baby album or track.
John Lewis is such a remarkable human being. Literally, such a beautiful human being. I remember the first time I met him. We were in the middle of a scene and [Selma director] Ava DuVernay calls, "Cut," and then he literally just came in. He just came walking in.I just froze. I can't explain the feeling. Seeing somebody who was literally a living hero. He was a hero.
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