I'm not a musician, I just play bass.
I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.
I just recorded in studios, you know, people pressed the buttons for me. So I just started recording the bass lines and guitar parts with my voice, covering classical pieces, or just making up melodies so I could learn how to use it.
The first song I wrote was "Look Both Ways Before You Cross" from Imaginaryland. I started the song by singing a bass line, "hoo hoo hoo hoo."
I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
Ridley Pearson also plays bass guitar and sings with the Rock Bottom Remainders, a band made up of such successful authors as Amy Tan, Stephen King, and Dave Barry-a band that, according to Barry, "plays music as well as Metallica writes novels".
I will sing whatever I'm given to sing. Growing up, I would sing anything that I was given. If the choir needed a first tenor, I would sing first tenor. If they needed a bass, I would sing bass. Throughout my life, I just figured out ways to hit notes I needed to hit.
Figured Bass (Harmony) and Religion are self-contained things, one should not argue these.
I always tell girls who say they want to start a band but don't have any talent, well, neither do I. I mean, I can carry a tune, but anyone who picks up a bass can figure it out. You don't have to have magic unicorn powers. You work at it, and you get better. It's like anything- You sit there and do it every day, and eventually you get good at it.
Bass players and drummers are brothers in the basement cooking up the groove that makes people move.
I like writing songs. I like the camarderie of the and. I like touring. I love playing bass. And then there's free beer.
The rock and roll spirit. I learned a lot of that because I worked with Buddy Holly. I played bass with him, and he taught me a lot about that.
I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.
For my money, Ray Brown is the greatest living bass player. Every great thing that's happened on bass since Ray Brown -- all of us point back to him. That's where it started, you know. Ray Brown is definitely a walking master, and to get to play with him is obviously an opportunity that no one should ever pass up.
I found a guy in the Bronx who had an old plywood Kay bass that he wanted $75 for. He held it for me, and I gave him a few dollars every time I could scrape some extra money together. Meanwhile I borrowed or rented basses for jam sessions and paying jobs. It was a great thrill when I finally took possession of my Kay.
My reading was good enough to play big-band charts, but I ran into trouble with Claude (Thornhill)'s theme song "Snowfall," which had a repeating bass line in D-flat that was very difficult for me to finger using my self-taught technique. I spent one morning figuring out an alternate fingering, and that started me on the way to learning a better use of the fingerboard.
I used to play bass for a while and got to the point where I was good enough to be in a shitty band.
A couple of months ago I went fishing with a buddy of mine, we pulled his boat into the dock, I lifted up this big 'ol stringer of bass and this idiot on the dock goes, Hey, y'all catch all them fish? Nope - Talked 'em into giving up. Here's your sign.
I played a little bit of everything. I got Ace of Bass, hip-hop songs, and dance hall [music].
Okay, I get kicked off the drums when I try and...the notes just keep coming at you and I'm like "Ahhhhh!" I can't do it. I have literally gotten booed off the stage way too many times. It's terrorizing. The rest of my band mates just are...they tell me to get off. I'm like, "I can play bass. Dunk, dunk, dunk, dunk."
I eat steamed sea bass and vegetables, and I have no sugar, and only drink soy milk.
Oh Beer! Oh Hodgson, Guinness, Allsop, Bass! Names that should be on every infant's tongue! Shall days and months and years and centuries pass, And still your merits be unrecked, unsung?
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.
The ukulele was the first of many instruments they had bought for me. They got me a guitar when I was eleven, which my son Morgan uses until this day. They paid for 3 years of guitar lessons; they bought me a bass fiddle, which I still play.
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