Art is my 'solo career' if you like. Musically, as a bass player, I depend on other musicians to play, whereas, with painting, I'm on my own. I find it quite easy to switch heads and I enjoy both the mayhem of being on tour and the serenity of being alone in my art studio.
I feel that whatever you put out is what you'll get back. I always put out, 'hey, hi, I'm a bass player, no bullshit,' and that's what I got back. I got the respect.
For my money, Ray Brown is the greatest living bass player. Every great thing that's happened on bass since Ray Brown -- all of us point back to him. That's where it started, you know. Ray Brown is definitely a walking master, and to get to play with him is obviously an opportunity that no one should ever pass up.
I knew Glenn Frey. He called me up in 1977 and told me The Eagles were looking for a bass player, preferably someone who could write and had a high voice. That was me.
I was charmed by a performance given by Crowded House at Toronto's Massey Hall where the bass player broke a string.
My dad was a bass player in a Latino band when I was growing up. So we always had musical instruments in our basement.
The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music.
I knew when I got to play with Al Jackson I would be a better bass player because he was the best drummer in the world. I worshipped him.
My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.
I played a bass player and a singer in a movie once, but I totally lip-synced to everything.
So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore.
Women and rhythm-section first!?
If you mess around with jazz, you better have a good drummer and a good bass player.
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
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