I like a lot of bass players. I like a lot of tuba players too.
I'm a bass player from way back and Paul is a guitar player and we've been in many bands.
I recruited my dad to be my bass player and fired him on several occasions. He stayed on as a bus driver.
I can understand why some of these drummers and bass players become cult figures with all of their equipment and the incredible amount of technique they have. But there's very little that I think satisfies you intellectually or emotionally.
I actually met Chick Corea in New York, where I was staying with a bass player friend.
I love playing with Jeff. That's something I never really say in the press, but he's my favorite bass player. I've played right next to him for 10 years.
In jazz, you listen to what the bass player is doing and what the drummer is doing, what the pianist and the guitarist is doing, and then you play something that compliments that, so you are thinking simultaneously and thinking ahead.
As I said, when we needed to move over to rock'n'roll, Sam and Vernon couldn't quite make the shift. So that's when Larry took over on drums, and we needed a bass player.
I don't really have a favorite bass player. I listen to a lot of bluegrass. But then again, I'm not a typical bluegrass bass player. I was really into the Grateful Dead, and I still am - I don't listen to them too much, but for me they are a big influence.
I always just wanted to be the singer or the bass player in the band. I'd love to have a band, where I was obviously the singer, but where it wasn't me, it wasn't my name.
Onstage I like to play with a an 18-inch speaker, which very few bass players do. I need that fat, underneath sound, which I've always had. It suits me admirably to do it like that, and I can imitate that sound by plugging directly into the board in the studio.
To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.
Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.
Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.
It's really not a stretch. The checks and balances are the same. The drums are the executive branch. The jazz orchestra is the legislative branch. Logic and reason are like jazz solos. The bass player is the judicial branch. One our greatest ever is Milt Hinton, and his nickname is "The Judge."
I wasn't allowed to play in some universities in the United States and out of twenty-five concerts, twenty-three were canceled unless I would substitute my black bass player for my old white bass player, which I wouldn't do.
If I have a dynamite bass player - I have Darryl Jones - it's so easy to write for him because he's such a funky kid and he's gifted. He's like a little genius.
When The Murderdolls started it was a really cool thing, especially for me because I had never done anything on that scale before. Even for our drummer and bass player it was their first really big band.
My dream as a child was to play with a bass player like Ray Brown, who played with the Oscar Peterson Trio. The feeling I had listening to his work was almost carnal, so to actually play for him was earth-shattering for me.
Eventually as a teenager, I was pulled up on stage by James Brown's saxophone player, Maceo Parker, during one of his concerts and scatted on his stage for 20 minutes. After I was done, Maceo's bass player got down on one knee as if he were proposing, took a string off of his bass guitar and coiled it up around my ring finger. He hushed the crowd and said into the microphone, "Wendy, from this day forward you are married to music. You have a gift from God. You must devote your life to using this gift or else you will deprive the world of something so special." I got the chills.
While it's a great indulgence, it's also very interesting to have three bass players on the same track.
You have to understand that the bass guitar is the party instrument. It only has four strings. If you see a bass player playing five strings, take your shoe off and throw it at him.
One thing people always ask me is 'How do you play outside?' ... I have no idea how to teach that, but when I was discussing this with our bass player Jesse Murphy, he said 'tell them to go cliff diving'... In other words, when you're jamming, you have to take risks if you want to find new sounds.
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