People still come to Baltimore and say, "I didn't realize you made documentaries."
After we did [All In The Family], that ended up being a real love fest all around. Me and Norman, Norman [Lear] and me, Rob Reiner, everybody liked everybody. So about six or seven months later I moved out to L.A. and I got a call that Norman wanted to see me. I came in and he said "ABC has given me a property that they just optioned to make into a TV series. It's from a play called Hot L Baltimore, and I want you to be in it."
My first few years as TV critic, I would go to parties and people (usually older Posties or ex-Posties who seemed to pride themselves on not watching very much television) would take me by the arm and insist that I watch this show they'd recently starting watching on DVD, about drug dealers in Baltimore.
Going back to Baltimore is awesome because all my friends still live there and there's never a dull moment when you're hanging out with your high-school friends.
After the age of seven, I began living between my dad in Alaska and my mother in Baltimore. Every three or four months, I would fly the 5,000 miles between the two. And having grown up in Alaska, Baltimore was astonishing.
I grew up in Baltimore, Maryland, and my relationship with the piano has been going on for about 38 years.
Upon my return from the army to Baltimore in the winter of 1777, I sat next to John Adams in Congress, and upon my whispering to him and asking him if he thought we should succeed in our struggle with Great Britain, he answered me, "Yes-if we fear God and repent of our sins."
Very interesting show. It's "Hotel" with the E missing. Hot L Baltimore. It was about a rundown hotel which had become kind of a residential not quite welfare but almost welfare hotel with a very bizarre collection of people.The desk clerk was played by Jamie Cromwell. That was his first big thing. Conchata Ferrell played April, the main of the two prostitutes, and my character didn't exist in the [stage] show.
I've been treated there (Camden Yards in Baltimore) just like everywhere else: you got everyone booing for you. I take that as a compliment.
He's the leader on this team, I know when Baltimore let us have him, they thought they were giving us a problem. I'll take problems like that anytime.
So much happened (in 1968) it was hard to keep up with everything. We had Denny McLain's thirty-one victories, Gates Brown's great pinch-hitting in the clutch, Tom Matchick's home run to beat Baltimore in the ninth inning, then Daryl Patterson striking out the side to beat them in the ninth. Excitement every day in the ballpark.
The kind of violence, looting, destruction that we saw from a handful of individuals in Baltimore, there's no excuse for that. That's not a statement. That's not politics. That's not activism. That's just criminal behavior.
I would rather have come to Baltimore than the Yankees. You look at their situation, they're the kingpin and you want to be that underdog that knocks them off the top. That's pretty much the situation I've been in my whole career. It just makes for a better season when you knock the big guys off the top.
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