When we did the first sequel [of the Austin Powers] , it was on coattails of the first one doing so well when it was released on video, so we really didn't know what to do with the second plot.
To this day, people ask me where is Austin Powers 4? I don't have that answer, it so hard to come up with a story that deserves an encore like that.
I think Austin is read more now than Charles Dickens, and Dickens was much more popular in his day. She endures because of her classicism.
Just like my career, I've sung the same songs night after night in so many ways. It's always different because every space is different. I lost my mojo once. It was like Austin Powers. I don't know why or how, but I had to get it back. And I did.
Jumping twenty or so years later, Ann Ciccolella, artistic director of Austin Shakespeare, approached me with the idea of staging Anthem. She had heard my film score to Ayn Rand: A Sense of Life. And she said, I want to do Anthem as an oratorio. Well, I figured what she meant was a straight play with music.
I don't have like whatever, so I'm just like, "Oh man, I'm just going to try to stay out of most people's way and get a taco and enjoy myself as much as I can," because it's such a beautiful town. Beautiful weather. I called my dad that day to tell him what was going on with my passport and he was like, "Yeah it snowed four inches today. It's ten degrees outside." I'm just like, "Cool. I'm glad I'm in Austin, no matter what."
I would like to undermine the stereotype of "strict philosophy." J.L. Austin remarked that, when philosophy is done well, it's all over by the bottom of the first page. I take him to have meant that the real work comes in setting up the problem with which you are dealing, and thus getting your reader to take particular things for granted.
I never really set out to research any of these stories. I try to lead an interesting life though. I guess the closest I came to research was when I applied to work at the state mental institution in Austin, TX. I wanted to work the night shift like Ken Kesey did when he wrote One Flew Over the Cuckoo's Nest. I thought that might inspire me to write a book that great.
I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence - his desire to take over the world, and have the world reflect his own power lust.
I come from a very small island which is packed with people. I mean, jam-packed with people. I've lived a life which has been pretty much full up with ambition, ideas, stimulus, creativity, some negativity, which I try to avoid. Austin is a great sort of stepping-off point, if you like. I'm from a temperate climate.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
I treat everywhere as being a center from which I can enjoy the surroundings. And so Austin is very stimulating. I'm familiar with a lot of very charming people who have brought a lot of color to my life and a lot of love.
I love Austin. It's great here. I don't mind the heat.
Common sense doesn't have the last word in ethics or anywhere else, but it has, as J. L. Austin said about ordinary language, the first word: it should be examined before it is discarded.
Does anybody have, a cold beer for Steve Austin?!??!!?
After each performance of an Austin Shakespeare production, audiences are invited to stay for a ten-minute discussion of the work. And this tradition continues in our New York run.
Become a champion like Stone Cold Steve Austin!
It was me, Austin. It was me all along, Austin!
During the cold war, West Berlin was an exclave - a tiny outpost of liberalism surrounded by people who want to crush it. It was like Austin, Texas.
If you want to see Chris Jericho drink a beer with Stone Cold Steve Austin, give me a doo-a dee-dee-dam, dee-dee-doo.
What we've witnessed in the past 25 or 30 years is just incredible. We've birthed 30,000 or 40,000 restaurants. I used to go to Europe every year to get experience [and ideas]. I don't go to Europe anymore. I go to Oregon, I go to Washington, I go to Louisiana, I go to Little Rock, I go to Austin, I travel New York City. I don't go to Europe anymore.
I met the president when he was president-elect at a meeting in Austin. He spoke of his faith. He spoke of his desire for a compassionate conservatism, for a faith-based initiative that would do something for poor people.
Austin is such a free and creative place, but I can't enjoy it as much because everyone I love is back in L.A.
What you've got is 30,000 people calling you an asshole.- Stone Cold Steve Austin What I've got is 30,000 people I couldn't care less if they lived or died.
I assaulted Stone Cold Steve Austin and got away with it! It was indeed a very special night for me.
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