We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
I remember being in high school and my mother would say, "What about such-and-such boy?" I'm like, "Oh mom, he's too nice," we don't like the nice boys when we're 16. I'd say, "He's not attractive," and she'd say "All young people are attractive." And they are, and I get that.
I think men are still attracted to what they've always found attractive, which is a woman who is feminine, soft, real, and . . . womanly.
Music is all about seduction, so it's an ongoing flirtation, but watching anyone do what they are talented at is totally intoxicating. Take even the ugliest guy and have them do something they are really passionate about - they are instantly attractive. Unfortunately watching someone write is a little lackluster. Maybe if they had a really sexy keyboard face.
There's nothing worse than an anxiety-filled, fearful actor who just needs that next job, because they're not gonna get that next job. Any time I got a job that made me feel good about myself, or made me feel, "Hey, I'm working my way up," then good adds to good. Because it makes you feel better about yourself, and that makes you more attractive, I think.
If there's any plan or scheme on my part, it's subconscious. Whatever I do tends to be very different from the thing I did last. You're terrified of boring either yourself or anyone else. It's always attractive if it feels like something that you haven't done before. I generally tend to be better, I think, when I'm terrified out of my wits.
I think that there's a natural attraction to enigmatic characters, people that have decided to make a decision in their lives to live differently than everyone else. That's a very attractive quality that also happens to be good for filmmaking, people that have their own point of view and aren't looking at things the same way as everyone else.
Me and my sisters were taught that if our eyes worked and our legs worked, we were beautiful. We had so many kids in our family that if we all got in front of the mirror and were ashamed of browns and golds and yellows and whites, and we believed what society told us - that the darker people were less attractive and the lighter ones were prettier - we would have had sibling murders. My family, being half-rural and half-military, just came from a different place.
We are living in a world in which we don't give the young enough reason to live. The temper and the lyrics of a lot of punk music and so on is very, life sucks and then you die, sort of theory. I feel life is cheaper and death is more attractive now than it was when I was an adolescent, as I remember. Suicide was a personal pathology when it was committed. There was no society approval of it, like there certainly is in Palestine and some quarters of Iraq.
In one way they make the movie something you can handle because it's character driven and it's slightly off center. That's what's attractive, but it also has the potential of being cutesy and sappy. I am so uninterested in that.
I spent most of my 20s dating older men, and I really wish I had spent that time dating men my own age who were going through the same experiences I was. I totally understand the appeal of a mature, dashing older man over fellow twenty-somethings who are still figuring things out. And, true, a fling with an older man can be instructive in many ways, and no doubt he finds you attractive.
I like what the internet offers: the ability to get people interested in your mind, and have a chance if you're not conventionally attractive.
I've liked music since I can remember and the guitar was always the most attractive thing about music to me at that time. I played guitar in a high school band. I played guitar in various other bands up until I was 20, but nothing too serious. From time to time someone would ask me to play with a group, but I stopped playing with band-oriented projects as a whole soon after.
Cuba is a poor country. Most of the Cubans who leave only do so if they can find better economic conditions elsewhere. That's why we need changes. We have to offer incentives to keep people here. We have to create more attractive policies for young people, so that it also makes economic sense for them to stay. We need growth and a better quality of life for everyone.
One of the biggest things going on in London, Amsterdam, San Francisco, and New York right now is gentrification. Every major city is dealing with gentrification, and it's always the sex workers they come for first. Cities feel they have to clean up their image and make themselves more attractive for tourism, more attractive to businesses. The Gezi Park struggle in Turkey a few years ago, for example, was a popular movement defending public space and land. What I found when I was digging into the goings on there was that the park was a place where transgender sex workers felt safe.
I think the entrepreneurial activities that make art visible and attractive are what lure people into the amusement park that SoHo has become or that Bushwick or Williamsburg has become. It's not that outsiders come to an area because they hear artists are living there. A lot of people came who were not that interested in living with artists, but they were interested in living like artists and socializing the way that they thought artists socialized.
There was a time when I wanted to get out of the Western world. I went down to Grenada and looked at a place, and I realised that if I lived in a Grenadian manner I'd be nothing but a blah. I'm going to need constant bodyguarding, guns and money to join the community there. Otherwise you just got a bunch of fat, old white people dying together, overeating, drinking. Not very attractive.
To say she was attractive would be an understatement. Calling her 'attractive' would be like calling the Taj Mahal a marble grave.
There are moments when I am really not happy with how I look, or I think it would be an easy way out to try and do the conventionally attractive thing. But part of it is that I don't have the energy to put on, like, makeup. If people want to do that, that's fine. But I've learned that it's not for me.
I think it's really hard to find a good women's magazine, and I like that Glamour is way more about what you want and not what your man wants. I don't really know what it's like to be a woman yet, so I wouldn't have too much insight, but I guess it would be a bit interesting to have more of that granny style in there. Because I think it should be easier for women to feel like they don't have to be conventionally attractive or think of flattering clothing before they think of fun clothing.
You get pigeonholed by what you sort of look like. And I don't mean this in a self-deprecating way. I'm grateful for any opportunity to act. But I think that if you're not classically attractive or mainstream attractive, especially as you get older, there's only like three jobs that people think you do. Like, "police officer who may be gay." District attorney is a big one. Lawyer. Doctor.
I often have to feel my way through the alternatives. The 99-cent store is attractive because it offers objects that aren't promoted in glossy magazines. The work then becomes a form of alchemy.
Nothing is cooler and more attractive than a big comeback, and that'll be me.
You only need sit still long enough in some attractive spot in the woods that all its inhabitants may exhibit themselves to you by turns.
Refuse to be afraid that we will no longer be considered attractive and acceptable when we are strong.
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