The seed of your next artwork lies embedded in the imperfections of your current piece.
Beethoven and Michelangelo, who sold their artworks for profit, were entrepreneurs and capitalists.
I'm very particular about everything. That goes along with the artwork, and how it's laid out, and every lyric. So it's pretty much all in my hands, which is crazy to be touring and doing that at the same time.
It's important for me to give each thing the possibility to speak and also to allow artworks speak to each other.
The record [American Idiot ] felt special to us, when we recorded it, with all of the artwork and the concept behind it and it being a rock opera, but we didn't really know where it was going to go. It's like I always say, you just follow the music. Not only was American Idiot a special moment for us, but it also led to Ordinary World, too.
I was buying old records a lot in my early teenage years and I was mostly drawn toward the artwork even more than the band itself. I loved the way the art set the scene for the music.
The album [Blaxistential crisis] artwork is by a friend of mine who is a brilliant artist named Sara Pocock. We've been friends for a couple of years and she worked with me on the animation. I believe she's still working over at BuzzFeed.
There's so much more work that goes into developing a makeup line than one would imagine. Personally, I like to be involved in the entire creative process - everything from art direction, collection concepts, formula testing, packaging artwork, to naming the shades and also the marketing side of things.
I'm a visual artist myself and always have been so it's very natural for me to be very concerned with presentation, whether it's artwork or onstage.
To give a price to an artwork, no matter how high or low, is always absurd. It's not something that can be measured by money or by certain numbers.
If you just turn to your paper or television each day, there are thousands of stories that are much more shocking than the gallery artworks.
I'm doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I've been preparing for half a year. I will bring 1,001 Chinese to participate as my artwork there - any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog. I'm just bringing them to Kassel to see the art show, and pay their room and board.
There's no single artwork I even want to mention or that I can even really think about it to have any feeling, to be proud of it.
I find that I have improved in my craft and I have improved considerably in my ability to critique other people's artwork. I forgot to mention that my course of study at the Art Institute is BSC in Media Arts and Animation.
Artwork is super-important, that's why my videos are the way they are.
In life learn art, in the artwork learn life. If you see the one correctly you see the other also.
If it was easy, everyone would be doing it. That's why they call it artWORK!
The sort of formality that goes into my artwork I would not expect from everybody in the world. I'm sort of pushing that point to its limit, in my mind, but I think there's absolutely nothing wrong with using a laptop so long as we have some understanding of how it works a little bit.
I'm somebody who likes codes and ciphers and chases and artwork and architecture, and all the things you find in a Robert Langdon thriller.
The alchemy of good curating amounts to this: Sometimes, placing one work of art near another makes one plus one equal three. Two artworks arranged alchemically leave each intact, transform both, and create a third thing.
I never expected the White House to be warm, and the artwork on the walls was extraordinary. I am a fan of the Louvre, but being there it was almost just as good.
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
My favourite stuff is visual, and I always want to work with visual artwork. I think it depends on the person, but for me, photographs of an image of something interesting or inspiring is worth a lot more than words to me. I think every concept I've come up with and turned into films or that will be hopefully become a film comes from images first.
There should be a statute of limitation on grief. A rulebook that says it is all right to wake up crying, but only for a month. That after 42 days you will no longer turn with your heart racing, certain you have heard her call out your name. That there will be no fine imposed if you feel the need to clean out her desk; take down her artwork from the refrigerator; turn over a school portrait as you pass - if only because it cuts you fresh again to see it. That it's okay to measure the time she has been gone, the way we once measured her birthdays.
All this beauty exists so you and I can see His glory, His artwork. It's like an invitation to worship Him, to know Him.
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