Ive always been really artistic. I went to an all-girls private Catholic school, and one of their biggest things was musical theater. I became obsessed with that.
The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.
Time and rhythm are the most important elements in music. If both aren't well conceived, organized, and executed, no amount of notes will make the piece a meaningful artistic experience.
It would be nice to think that a censor could allow a genuine work of artistic seriousness and ban a titillating piece of sadism, but it would take a miracle to make such a distinction stick.
We need emotional outlets in this country, and the more artistic people we develop the better it will be for us as a nation.
In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American -- on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
I'm a perfectionist; there's always something we need to improve upon, and I think that's a really healthy model for artistic growth and progressing. I'm not ready for a masterpiece.
If you feel something artistic, you need to get it out of you, do it. You gotta get out and play in front of people. You can't stay in the bedroom, get out sooner rather than later. Use your gut instinct.
There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." It's funny.
I draw people as I see them. I'm not involved in making artistic masterpieces. My, my object is to mirror people and I've always done that.
I deal in a very artistic way of what interests me and marks my passion, and I try to - whether its good or not - am in love with acting and the stage and characters and the ability to reach and to touch people, so that's where, I guess, that's where my heart will reside, by and large.
My fashion is my most prized possession for two reasons: 1) because it is a visualization of all the hard work I've put in to get where I am today; 2) because it is a legend to the encyclopedia of my life. It is exactly what I've aimed to seep into the artistic consciousness of people all over the world - that life is an art form.
I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.
Actors work for many reasons. Sometimes you do it because the material is good. Sometimes you do it because the paycheck is good. We would love to only do things that are art, that are artistic and that satisfy us, but this is our job, as well.
I wanted to do my artistic work, and in Iran you have censorship. It was difficult for me to do the work I wanted to do.
At the end of the day, all you really have is your own sense of your artistic ability and I've always stuck with that my whole life. I guess there is always a bit of relief that I have and real joy of being able to engage other people who are talented, equally or better than you, and you can work with them.
I'm not limited by genre and it doesn't really matter what the genre is as long as the film is going to be new and have some real artistic integrity.
I like movies! No, I like theater too. And paintings are great, and all of that! But to me, the great sort of artistic medium I think, of our time, is film. I really feel that. I mean to me, there's nothing else out there, where I can sort of suspend disbelief for two hours.
Ultimately I live in the now with artistic creation, not what could or could not be in the future, if a creation appears timeless in somebody's opinion, it won't in others, that's not for me to guess.
The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go.
Every artist learns through imitation, but I rather doubt the aim of these things is artistic development. I assume they're either homages or satiric riffs, and are not intended to be taken too seriously as works in their own right. Otherwise I should be talking to a copyright lawyer.
I don't make movies. I don't feel that I have to have artistic control. Part of this comes from the fact that the book lives on no matter what Hollywood does to your novel in terms of a film. Now, you try to be careful who you allow to do your film because nobody wants their novel to become a turkey movie. But, on the other hand, it is a crapshot anyway, because even the best people can make a bad film.
With each film, i need an artistic challenge so I don't get bored! I like to tackle challenges.
Philosophy has a great sort of appeal in terms of an artistic or aesthetic organization of concepts. It's a conceptual art.
My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
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