Arms Quotes - Page 14

• Can I get a lock for my tent? Bears can't unzip tents, Lana. Well, chainsaw psychos who wander the woods looking for young girls all alone to chop up into pieces can. There are no chainsaw psychos! I can't believe you've never been camping. It's safe, Lana. I promise. Easy for you to say. You'll be snuggled up safely in the arms of Beau Vincent. I'm more than positive he could take on a black bear.

  Abbi Glines

  Girl, Believe, Black

  Abbi Glines (2012). “The Vincent Brothers -- Extended and Uncut”, p.135, Simon and Schuster

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• Och, Dani my darling, you're not giving me a single reason to wait for you to grow up. You're giving me a thousand reasons not to." It's Christian! I'm so glad it's him, not one of the other princes! I turn around in his arms and tip my head back. "Hi, Christian!" I beam at him. He's hotter than the other princes. I'm glad I got him. I'll take the others, too, but I want him first. "I want to grow up. Now. Hurry.

  Karen Marie Moning

  Christian, Growing Up, Giving

  Karen Marie Moning (2012). “Iced: Fever Series”, p.211, Delacorte Press

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• Bes had indeed put on his ugly outfit. He climbed onto the roof of the limbo and stood there, legs planted, arms akimbo, like superman-exept with only the underwear. I wasn't sure what to say except: "Put some clothes on!" "These children are under my protection," Bes insisted. "I don't know you," I said, "I never met you before today." "Nonsense. You expressly asked for my attention." "I didn't ask for the Speedo Patrol!

  Rick Riordan

  Children, Clothes, Underwear

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• You have no dower," he said. "Live, Keturah. Go home." "But I do have a dower," I said plainly. "This is my dower, Lord Death; the crown of flowers I will never wear at my wedding." He knelt on one knee before me. "The little house I would have had of my own, to furnish and clean. That, too, is part of my dower." "I will give you the world for your footstool," he said. "And most precious of all, I give you the wee baby I will never hold in my arms.

  Martine Leavitt

  Baby, Flower, Home

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• mostly we've had to found ways to amuse ourselves." "Really?" Valkyrie asked. "Like what?" Plight's smile faded. "Like human sacrifice." He grabbed one arm and Lenka grabbed the other and Valkyrie cried out. Then they both let go. laughing. "Naw," Plight said, we just play board games." ..."she fell for it!" gasped Lenka. "She fell for the human sacrifice bit!

  Derek Landy

  Letting Go, Sacrifice, Games

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• After a sleepless night the body gets weaker, It becomes dear and not yours - and nobody's. Just like a seraph you smile to people And arrows moan in the slow arteries. After a sleepless night the arms get weaker And deeply equal to you are the friend and foe. Smells like Florence in the frost, and in each Sudden sound is the whole rainbow. Tenderly light the lips, and the shadow's golden Near the sunken eyes. Here the night has sparked This brilliant likeness - and from the dark night Only just one thing - the eyes - are growing dark.

  Marina Tsvetaeva

  Eye, Dark, Night

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• The only reason I don't throw myself into your arms, kiss you and make love with you now is that I lack the courage and am afraid of loving you.

  Paulo Coelho

  Love You, Kissing, Loving You

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• When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you.

  Galway Kinnell

  Stars, Thinking, Broken

  Galway Kinnell (1973). “The Book of Nightmares”, p.49, Houghton Mifflin Harcourt

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• This is how it works You're young until you're not You love until you don't You try until you can't You laugh until you cry You cry until you laugh And everyone must breathe Until their dying breath No, this is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood And walking arm in arm You hope it don't get harmed But even if it does You'll just do it all again

  Regina Spektor

  Love You, Heart, Blood

  Song: On The Radio, Album: Begin to Hope, 2006

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• I wrapped my arms around his neck and pulled myself closer to him until my lips touched his.

  Stephenie Meyer

  Lips, Necks, Touched

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• What are they waiting to see?" Sam follows my gaze and I shrug. "Who knows? You could always do a dance, or tell a joke, or... kiss the bride?" "Not the bride," he wraps his arms around me, and gradually pulls me close. Our noses are practically touching. I can see right into his eyes. I can feel the warmth of his skin. "you." Me. "The girl who stole my phone." His lips brush across the corner of my mouth. "The thief." "It was in a bin." "Still stealing." "No it isn't-," I begin. But now his mouth is firmly on mine, and I can't speak at all. And suddenly, life is good.

  Sophie Kinsella

  Girl, Eye, Life Is Good

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• Hold me? If you still want to, I mean." She looked away. "Everyday"--then he was there, lifting her into his arms, holding her like she was fragile and precious--"I want to hold you every day. Nothing will ever change that.

  Melissa Marr

  Mean, Everyday, Want

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• Beau’s arms slipped around my waist. I knew I should step away but I couldn’t make myself. This was home. Being in his arms like this was where I found peace.

  Abbi Glines

  Home, Steps, Should

  Abbi Glines (2012). “The Vincent Boys”, p.43, Abbi Glines

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• Let her arm go and pray she has no bruise,” a familiar voice said in a low angry tone. I shuddered from relief at the sound of his voice. Trey released my arm and shrugged, grinning. “I just wanted an oyster, and she wouldn’t serve me.” I opened my mouth to protest when the warm fingers holding my arm softly squeezed me for reassurance. So, I stayed quiet. “Jason, please escort your friend to the door. I have no other reason to speak with him unless Sadie has a bruise or any lasting marks from his hands, and then he will see me again.

  Abbi Glines

  Doors, Hands, Oysters

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• It is a sad hardship and slavery to people who live in towns, that in their movements they know of one dimension only; they walk along the line as if they were led on a string. The transition from the line to the plane into the two dimensions, when you wander across a field or through a wood, is a splendid liberation to the slaves, like the French Revolution. But in the air you are taken into the full freedom of the three dimensions; after long ages of exile and dreams the homesick heart throws itself into the arms of space.

  Isak Dinesen

  Dream, Taken, Heart

  Isak Dinesen (1938). “Out of Africa”

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• Recognizing happiness when it's lying at your feet, having the will and courage to reach down and take it in your arms--and to hold on to it--that's the heart's intelligence. Intelligence minus the heart is just logic, and that doesn't amount to much. - Arthur

  Marc Levy

  Lying, Heart, Feet

  Marc Levy (2005). “If Only It Were True”, p.82, Simon and Schuster

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• The burden God places on each of us is to become who we are meant to be. We are most fully ourselves when Christ most fully lives in us and through us. The mother shines brightest with her child in her arms, the father when he forgives his wandering son, and the artist when he or she is drawing attention to grace, by showing the pinprick of light overcoming the darkness in the painting, or the story, or the song. The world knows darkness. Christ came into the world to show us light. I have seen it, have been blinded by it, invaded by it. I will tell its story.

  Andrew Peterson

  Mother, Song, Children

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• You're a Daniels and a Walker. That means you're 99% fine stubbornness, tenacity and resilience combined", Tara said. "And the other 1%?" Mia asked as they sat at the tiny galley table. Ford wrapped an arm around her neck and pulled her in close. "Perfection.

  Jill Shalvis

  Mean, Perfection, Resilience

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• Rehv swooped down with his long arms and gathered her up against him, tucking her with vital care to his chest. Ducking his head to hers, his voice was deep and grave. "I never thought I would see you again." As he shuddered, she lifted her hands up to his torso. After holding herself back for a moment...she embraced him as fully as he did her. "You smell the same," she said rought, putting her nose right into the collar of his fine silk shirt. "Oh...God, you smell the same.

  J.R. Ward

  Hands, Voice, Smell

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• We have a name," said Jace. "Magnes B-" "Shut up." Alec hissed, thwacking Jace with his closed menu. Jace looked injured. "Jesus," he rubbed his arm. "What's your problem?

  Cassandra Clare

  Jesus, Names, Problem

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• Even if you were green and had a beard and a male appendage between your legs. Even if your eyebrows were orange and you had a mole covering your entire cheek and a nose that poked me in the eye every time I kissed you. Even if you weighed seven hundred pounds and had hair the size of a Doberman under your arms. Even then, I would love you.

  David Levithan

  Love, Eye, Hair

  David Levithan (2013). “Every Day”, p.181, Egmont UK

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• I cross my arms. "It was a two minute conversation." "I don't think a smaller time frame makes it less unwise." He furrows his eyebrows and touches the corner of my bruised eye with his fingertips. My head jerks back, but he doesn't take his hand away. Instead he sighs. "You know, if you could just learn to attack first, you might do better." "Attack first?" I say. "How will that help?" "You're fast. If you can get a few good hits in before they know what's going on, you could win." He shrugs, and his hand falls.

  Veronica Roth

  Fall, Eye, Winning

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• Four sits down on the edge of the carousel, leaning against a plastic horse's foot. His eyes lift to the sky, where there are no stars, only a round moon peking through a thin layer of clouds. The muscles in his arms are relaxed; his hand rests on the back of his neck. He looks almost comfortable, holding that gun to his shoulder. I close my eyes briefly. Why does he distract me so easily? I need to focus.

  Veronica Roth

  Horse, Stars, Eye

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• Four grabs a bar with each hand and pulls himself up, easy, like he's sitting up in bed. But he is not comfortable or natural here--- every muscle in his arm stands out. it is a stupid thing for me to think when I am one hundred feet off the ground.

  Veronica Roth

  Stupid, Thinking, Hands

  Veronica Roth (2013). “The Divergent Series Complete Collection: Divergent, Insurgent, Allegiant”, p.71, Harper Collins

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• Without thinking, I grab Al's arm and squeeze it as tightly as I can. I just need something to hold on to. Blood runs down the side of Christina's face and splatters on the ground next to her cheek. This is the first time I have ever prayed for someone to fall unconscious.... Al frees his hand and pulls me tight to his side. I clench my teeth to keep from crying out.

  Veronica Roth

  Running, Fall, Thinking

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